Botchan 1732 Studios

Japanese · Botchan

九

Chapter 9

229 sentences · 28 notes

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  1. 1

    On the morning of the day set for Uranari's farewell dinner, when I got to school, Porcupine suddenly told me the whole story: the other day Ikagin had come to him complaining that I was running wild and asking him to persuade me to move out, and Porcupine, taking it seriously, had told me to move out for the man's sake — but he'd since learned that the man was a crook who liked to forge seals on fake paintings and sell them off, so his tale about me was surely just as much a fabrication.

    うらなりUranariうらなり · proper nounmodifies 君 (name attached to the honorific title)
    君Mr.君 · noun (honorific title)modifies 会 (head of the possessive phrase)
    の'sの · particlepossessive particle marking 君
    送別farewell送別 · nouncompound with 会
    会party会 · nounsubject of ある
    のsubjectの · particlesubject-marking particle (=が) in the relative clause modifying ある
    あるthere isある · verbclause modifying 日
    とthatと · particlequotative particle introducing いう
    いうis calledいう · verbpart of the phrase と (という, "called")
    日day日 · nounmodifies 朝
    の'sの · particleparticle marking 日
    朝morning朝 · nounoblique complement of 出
    学校school学校 · nounoblique complement of 出
    へtoへ · particleparticle marking 学校
    出went出る · verbconditional clause ("when I went") setting the scene for 山嵐's account
    たらwhenた · auxiliary verbconditional auxiliary of 出
    山嵐Porcupine山嵐 · proper nounsubject of 来
    がsubjectが · particleparticle marking 山嵐
    突然suddenly突然 · adverbmodifies 来 (frames the whole account)
    君you君 · pronounvocative, addressed to the narrator
    先だってthe other day先だって · nounadverbial, modifies 来
    はいIka-いか銀 · proper noun (fragment) + topic particletopic particle は fused with the first syllable い of the proper noun いか銀 ("Ikagin"); tokenizer split the boundary

    先だっては ("the other day") + いか銀 ("Ikagin," the antique dealer) is one phrase; the automatic segmenter cut it into はい/か/銀 instead. Kept as given — this token covers the topic marker は plus the name's first mora い.

    か-ka-いか銀 · proper noun (fragment)part of the proper noun いか銀 ("Ikagin")
    銀-ginいか銀 · proper noun (fragment)part of the proper noun いか銀 ("Ikagin")
    がsubjectが · particleparticle marking いか銀
    来came来る · verbadverbial clause on 頼ん ("came, and ... asked")
    てandて · subordinating conjunctionintroduces the clause of 来
    君you君 · pronounsubject of 乱暴
    がsubjectが · particleparticle marking 君
    乱暴act wildly乱暴 · verbadverbial clause on 困る
    しdoする · auxiliary verbauxiliary of 乱暴
    てandて · subordinating conjunctionintroduces the clause of 乱暴
    困るtroubles him困る · verbadverbial clause on 頼ん (reason for the request)
    からbecauseから · subordinating conjunctionintroduces the clause of 困る
    どうpleaseどうか · adverb (fragment)first half of the idiom どうか ("please")
    か(please)どうか · particle (fragment)second half of the idiom どうか ("please")
    出るbehave出る · verbadverbial clause on 話し (content of the request)
    ようsoよう · auxiliary verbauxiliary of 出る (purpose, "so as to")
    にthatだ · auxiliary verbcontinuative form of だ completing ように ("so that")
    話しtell話す · verbadverbial clause on 頼ん
    てandて · subordinating conjunctionintroduces the clause of 話し
    くれpleaseくれる · verbpart of the phrase て (benefactive request, "please")
    とthatと · particleparticle marking 話し
    頼んasked頼む · verbadverbial clause on 受け
    だpastた · auxiliary verbauxiliary of 頼ん
    からbecauseから · subordinating conjunctionintroduces the clause of 頼ん
    真面目earnestly真面目 · adjective (na-adjective)adverbial clause on 受け
    に-lyだ · auxiliary verbcontinuative form of だ, adverbializes 真面目
    受けtook it受ける · verbadverbial clause on 話し
    てandて · subordinating conjunctionintroduces the clause of 受け
    君you君 · nounbeneficiary of やれ ("for you")
    にtoに · particleparticle marking 君
    出straighten up出る · verbadverbial clause on やれ
    てandて · subordinating conjunctionintroduces the clause of 出
    やれgo aheadやる · verbadverbial clause on 話し (imperative quoted)
    とthatと · particleparticle marking やれ
    話しtold話す · verbadverbial clause on 聞い
    たpastた · auxiliary verbauxiliary of 話し
    のthatの · subordinating conjunctionintroduces the clause of 話し (explanatory のだ)
    だisだ · auxiliary verbpart of the phrase の
    がbutが · subordinating conjunctionintroduces the clause of 話し (contrastive, "but")
    あとafterwardあと · nounoblique complement of 聞い
    からfromから · particleparticle marking あと
    聞いasked聞く · verbconditional clause introducing the following clause about あいつ
    てandて · subordinating conjunctionintroduces the clause of 聞い
    みるtriedみる · verbpart of the phrase て ("tried doing")
    とwhenと · subordinating conjunctionintroduces the clause of 聞い (conditional, "when")
    あいつthat guyあいつ · pronounsubject of 奴
    はtopicは · particleparticle marking あいつ
    悪るいbad悪い · adjectiveclause modifying 奴

    悪るい is an old okurigana spelling of 悪い ("bad"); the modern standard lemma is used.

    奴guy奴 · nounpredicate noun (with copula で) describing あいつ
    でandだ · auxiliary verbcopula linking to 奴, continuative ("is, and")
    よくoftenよく · adverbmodifies 押し
    偽筆fake paintings偽筆 · nounoblique complement of 押し
    へontoへ · particleparticle marking 偽筆
    贋forged贋 · nouncompound with 落款
    落款seal落款 · noundirect object of 押し
    などand so onなど · particleparticle marking 落款
    をobjectを · particleparticle marking 落款
    押しstamped押す · verbadverbial clause on 売り
    てandて · subordinating conjunctionintroduces the clause of 押し
    売りsell売る · verbverb stem, compound with つける ("sell off")
    つけるoffつける · verbcompletes the compound 売りつける ("sell off")
    そうapparentlyそう · auxiliary verbauxiliary of つける (hearsay)
    だisだ · auxiliary verbauxiliary of つける
    からsoから · subordinating conjunctionintroduces the clause of つける
    全くentirely全く · adverbmodifies 違い
    君your君 · nounmodifies 事
    の'sの · particleparticle marking 君
    事tale事 · nounsubject of 違い
    もtooも · particleparticle marking 事
    出鱈目fabrication出鱈目 · adjective (na-adjective/noun)compound with 事
    にasだ · auxiliary verbauxiliary of 出鱈目, links to 違い ("Xに違いない", "must be X")
    違いdoubt違い · nounoblique complement of ない
    ないnoneない · adjectivehead of the phrase ("no doubt" = "must be")
  2. He'd been hoping to make some money selling you hanging scrolls and antiques, and since you wouldn't bite and there was nothing in it for him, he cooked up that whole story to fool me.

  3. 'I didn't know what kind of man he was, so I did you a great disservice — forgive me,' he said, and went on apologizing at tedious length.

  4. 2

    Without a word, I picked up the one sen and five rin sitting on Porcupine's desk and dropped it into my coin purse.

  5. Porcupine looked at me suspiciously and asked whether I was really taking that back, so I explained: yes — I'd hated the idea of him treating me, and meant to pay him back no matter what, but the more I thought it over since, the more it seemed better just to let him treat me after all, so I was taking it back.

  6. Porcupine let out a loud 'Ahahaha' and asked why on earth I hadn't taken it back sooner.

  7. To tell the truth, I'd kept meaning to take it, but it felt somehow awkward, so I'd left it where it was.

  8. When I said that lately just coming to school and seeing that one-and-a-half-sen piece had gotten to be a real torment, he said I must be a terribly sore loser, so I shot back that he himself was terribly pig-headed.

  9. And from there the following exchange took place between us.

  10. 3

    'Just where are you from, anyway?'

  11. 4

    'I'm an Edo boy, born and bred.'

  12. 5

    'Ha, an Edo boy — no wonder you're such a sore loser.'

  13. 6

    'And where are you from?'

  14. 7

    'I'm from Aizu.'

  15. 8

    'An Aizu man — no wonder you're so stubborn.'

  16. 'Are you going to today's farewell party?'

  17. 9

    'Of course I'm going — what about you?'

  18. 10

    'I'm going too, naturally.'

  19. 'When Koga leaves I even mean to see him off all the way to the harbor.'

  20. 11

    'Farewell parties are good fun — you should come and see.'

  21. 'I plan to drink plenty today.'

  22. 12

    'Drink all you like.'

  23. 'I'll eat the snacks and go straight home.'

  24. 'Anyone who drinks liquor is a fool.'

  25. 13

    'You're a man who's always itching to pick a fight.'

  26. 'You really do show the flightiness of an Edo boy.'

  27. 14

    'Never mind that — before the farewell party, stop by my place for a bit, I have something to talk about.'

  28. 15

    Porcupine came by my lodgings as promised.

  29. For some time now, every time I'd seen Uranari's face I'd felt sorry for him past bearing, and now that the day of his farewell had actually come, it struck me as so pitiful that I found myself half-wishing I could go to Nobeoka in his place, if such a thing were possible.

  30. So I wanted to make a fine speech at the farewell party and send him off properly, but with my Tokyo back-alley way of talking it would never come to anything, and it occurred to me to hire Porcupine, with his loud voice, to help crush Red Shirt's nerve for good measure — which was exactly why I'd gone to the trouble of calling him over.

  31. 16

    I opened, for a start, with the whole Madonna business, though of course Porcupine already knew far more about it than I did.

  32. When I told him about the business on the Nozeri River embankment and said the man was a fool, Porcupine said I called everybody I ran into a fool.

  33. 'Didn't you call yourself a fool at school today?'

  34. 'If you're a fool, then Red Shirt isn't one.'

  35. He insisted he was nothing like Red Shirt himself.

  36. When I said, well then, Red Shirt must be a spineless half-wit, Porcupine agreed heartily that he supposed so.

  37. Porcupine is tough enough, but when it comes to words like these, he knows far fewer characters than I do.

  38. I suppose that's just how Aizu men are, every one of them.

  39. 17

    Next I told him about the raise business and how Red Shirt had said I'd be given weighty positions in the future, and Porcupine gave a snort through his nose and said, 'So he means to have me dismissed, does he.'

  40. When I asked whether, even if that was the plan, he actually meant to let himself get fired, he swaggered that no one was going to fire him — if he went, he'd take Red Shirt down with him.

  41. When I pressed him on just how he meant to bring Red Shirt down with him, he admitted he hadn't worked that part out yet.

  42. Porcupine looks tough enough, but he doesn't seem to have much in the way of brains.

  43. When I told him I'd turned down the raise, the big fellow was delighted and praised me — 'That's an Edo boy for you, well done.'

  44. 18

    When I asked why, if Uranari hated the transfer so much, he hadn't campaigned to keep him on, he told me that by the time he'd heard the story from Uranari it was already settled, and though he'd gone and argued with the principal twice and Red Shirt once, there had been nothing to be done.

  45. The trouble, on top of that, is that Koga is simply too good-natured a man.

  46. When Red Shirt first raised the matter, he could have simply refused outright, or at least dodged it by saying he'd think it over, but instead he let himself be talked round by all that fine speechmaking and agreed on the spot, so that afterward, however his mother pleaded and however Porcupine went and argued on his behalf, it did no good at all — and Porcupine lamented this bitterly.

  47. 19

    When I said this whole affair was surely nothing but a scheme of Red Shirt's to push Uranari out of the way and get his hands on Madonna, he said of course it must be.

  48. 'That man wears such a mild face while he does his dirty work, and always has an escape route ready the moment anyone objects — he's a proper schemer.'

  49. 'Nothing works on a fellow like that except a fist to the face,' he said, and rolled up his sleeve to show me his lumpy, muscled arm.

  50. Since we were on the subject, I asked whether his arm looked so strong because he practiced jujitsu.

  51. At that, the big fellow flexed the muscle of his upper arm and told me to give it a squeeze, so I poked it with my fingertips — and it was nothing more than something like the pumice stone you find at the public bathhouse.

  52. 20

    I was so impressed that I asked whether, with an arm like that, he could send five or six Red Shirts flying at once, and he said 'of course' while bending and straightening his arm, and the muscle turned round and round under the skin.

  53. It was quite delightful to watch.

  54. According to Porcupine, if you twisted two lengths of paper cord together, wound them around the spot where that muscle bulged, and bent your arm hard, the cord would snap clean in two.

  55. When I said that if it was only paper cord, I figured I could do it too, he shot back that there was no way I could, and told me to go ahead and try if I thought I could.

  56. Since it would look bad if I failed to snap it, I let the matter drop.

  57. 21

    Half in fun, I proposed that How about it? After plenty of drinking at tonight's farewell party, why don't we thrash Red Shirt and Toady? — Porcupine thought it over and said, 'let's see,' but decided we'd better let it go for tonight.

  58. When I asked why, he added, with a show of good sense, that it would be hard on Koga tonight of all nights — and besides, if we were going to beat them at all, we ought to catch them red-handed and do it on the spot, or the fault would fall on us.

  59. Even Porcupine, it seemed, thought things through more than I did.

  60. 22

    'Then make a speech and praise Koga to the skies' — 'if I do it, it'll come out in that glib Edo-boy chatter and carry no weight at all.'

  61. And what's more, whenever I have to stand up in front of people, some kind of heartburn suddenly rises, a great lump comes up in my throat, and I can't get a word out, so I told him I'd leave it to him; he said that was a strange sort of ailment, and asked whether that meant I couldn't speak in front of a crowd at all, must be awkward — to which I answered that it wasn't so very awkward as all that.

  62. 23

    While we talked the time came around, so Porcupine and I set off together for the venue.

  63. The venue was a place called Kashintei, said to be the finest restaurant in these parts, though I myself had never once set foot in it.

  64. The story goes that they bought up some former chief retainer's mansion and opened for business just as it stood, and sure enough, the place has a forbiddingly grand look about it.

  65. A chief retainer's mansion turning into a restaurant is rather like taking a general's campaign coat and stitching it down into a padded vest.

  66. 24

    By the time the two of us arrived, most of the guests were already there, and two or three clusters of people had formed in the fifty-mat great hall.

  67. Being fifty mats, the alcove was splendidly large to match.

  68. The alcove in the fifteen-mat room I'd taken over at the Yamashiroya was nothing compared with it.

  69. When I measured it out, it came to two ken across.

  70. On the right stood a porcelain vase with a red pattern on it, with a big pine branch stuck in it.

  71. I have no idea what good sticking in a pine branch is supposed to do, but since it won't drop its needles no matter how many months go by, at least it doesn't cost anyone any money, so I suppose that's all for the best.

  72. When I asked the natural-history teacher where that porcelain was made, he told me it wasn't Seto ware at all, it was Imari.

  73. When I said Imari was Seto ware too, wasn't it, the natural-history man just laughed, 'eh-heh-heh-heh.'

  74. I asked around afterward, and it turns out 'Seto ware' means ware actually made in the town of Seto — that's the whole reason for the name.

  75. Being an Edo boy, I'd always assumed 'setomono' was just the general word for anything made of pottery.

  76. In the middle of the alcove hung a large scroll, with twenty-eight characters written on it, each about the size of my own face.

  77. It struck me as remarkably poor work.

  78. Since it looked so bad, I asked the Chinese-classics teacher why on earth they'd hang up such a clumsy thing so proudly, and he informed me it was the work of a famous calligrapher named Kaioku.

  79. Kaioku or whoever he was, I still think it's badly done to this day.

  80. 25

    Presently the clerk Kawamura called out for everyone please to take their seats, so I sat down in a spot where there happened to be a post handy to lean against.

  81. The Badger sat down before the Kaioku scroll in his haori and hakama, and to his left Red Shirt planted himself, likewise dressed in haori and hakama.

  82. On the right, as guest of honor, sat Uranari, also waiting in Japanese dress.

  83. I was in Western clothes, and sitting properly was cramped, so I sat cross-legged at once.

  84. Next to me the gymnastics teacher, in black trousers, was sitting up properly and correctly.

  85. Being a gymnastics man, he'd evidently put in a great deal of practice at just that sort of thing.

  86. Presently the trays were brought out.

  87. Sake flasks were lined up.

  88. The organizer stood and said a few words to open the proceedings.

  89. Then the Badger rose.

  90. Red Shirt rose.

  91. Every one of them made a farewell speech, and all three, as if by arrangement, went on about what a fine teacher and good-natured man Uranari was, saying it was truly a shame he was leaving, a great loss both to the school and to them personally, but since he had, for reasons of his own, earnestly wished for the transfer, there was nothing to be done about it.

  92. To tell such a lie and hold a farewell party over it, and not feel the least bit ashamed — that's really something.

  93. Red Shirt, in particular, praised Uranari more than either of the other two.

  94. He even went so far as to say that losing so fine a friend was, for him personally, a truly great misfortune.

  95. And the way he put it sounded so utterly plausible, delivered in that soft voice of his made softer still, that anyone hearing him for the first time would certainly be taken in.

  96. No doubt Madonna herself had been reeled in the very same way.

  97. While Red Shirt was in the middle of delivering his farewell speech, Porcupine, seated across from me, looked my way and flashed me a quick lightning-glare.

  98. By way of answering signal, I pulled down my lower eyelid with my forefinger and stuck out my tongue at him..

  99. 26

    The moment Red Shirt sat back down, unable to wait any longer, Porcupine rose abruptly to his feet, and I was so pleased that I clapped my hands together without meaning to.

  100. At that, the Badger and everyone else all turned to look at me, which was rather awkward.

  101. I wondered what Porcupine would say, and he began: just now, the principal, and the vice-principal above all, expressed how greatly they regretted Koga's transfer, but he himself took a somewhat different view — he hoped that Koga would leave this place at the very earliest possible date.

  102. Nobeoka is a remote and out-of-the-way place, and compared with here there will surely be material inconveniences.

  103. But he was told it is a place of exceedingly simple, honest customs, where every last member of staff and student carries the plain, upright spirit of ancient times.

  104. Believing as he did that there was not one fashionable rascal there who scatters insincere flattery about, or who wears a handsome face while entrapping honest men, he was certain that a gentle and deeply sincere man such as Koga would surely receive the warm welcome of the whole region.

  105. He himself heartily congratulated Koga on this transfer.

  106. In closing, he hoped that once Koga took up his post in Nobeoka, he would choose from among the ladies there one truly fit to be a gentleman's good match, and build, at the earliest possible date, a happy household of his own — so that a certain faithless, unprincipled, headstrong girl might, by the plain fact of it, die of shame.

  107. He gave a couple of great throat-clearings — ahem, ahem — and sat back down.

  108. I meant to clap again, but since I didn't want everyone turning to stare at me a second time, I let it go.

  109. Once Porcupine sat down, this time it was Uranari's turn to rise.

  110. Ever so politely, he walked all the way from his own seat down to the lowest seat at the far end of the room, bowed courteously to everyone present, and said that as he was, owing to personal circumstances, to be going off to Kyushu, the fact that all the teachers had opened so grand a farewell party on his behalf had left him profoundly moved — and that having just now received the farewell remarks of the principal, the vice-principal, and all the rest of them, he was taking them most gratefully to heart.

  111. He was to travel a long way from here now, but he begged that they would not abandon him, and would continue to favor him with their kindness just as before.

  112. After groveling like that, he went back to his seat.

  113. Just how far Uranari's good nature runs is almost past knowing.

  114. Here he was, bowing his thanks respectfully to the very principal and vice-principal who were making such a fool of him.

  115. If it had been mere formal courtesy that would be one thing, but judging from his manner, his choice of words, his very expression, he seemed to be thanking them from the bottom of his heart.

  116. You'd think that being thanked in earnest by such a saint of a man would make anyone feel so sorry for him that his face would burn, but the Badger and Red Shirt only went on listening solemnly, straight-faced.

  117. 27

    Once the speeches were done, a slurping sound started up — chuu here, chuu there.

  118. I tried imitating them and drank some of the soup myself, and it was dreadful stuff.

  119. There was fish cake among the appetizers, but it was a dingy blackish color, like a failed attempt at chikuwa.

  120. Sashimi was set out too, but it was cut so thick it was no different from eating a raw slab of tuna.

  121. Even so, the people around me were munching away as if it were delicious.

  122. I suppose they'd simply never eaten proper Edo-style cooking.

  123. 28

    Before long the warmed sake flasks began going back and forth all over the place, and things suddenly grew lively on every side.

  124. Old Toady went up respectfully before the principal to receive a cup.

  125. What a repulsive fellow.

  126. Uranari was going around exchanging cups with everyone in turn, evidently meaning to make a full circuit of the room.

  127. A great deal of trouble to go to, if you ask me.

  128. When Uranari came before me, straightened the pleats of his hakama, and asked, most properly, to be allowed a cup, I too sat up as stiffly as I could manage in my trousers and offered him one.

  129. 'It's a shame,' I said, 'that It's a shame that, when I've only just arrived here, we'll be parting so soon..'

  130. When I asked when he was leaving and said I really must see him off all the way to the harbor, Uranari answered that no, I was surely far too busy, there was no need at all for that.

  131. Whatever Uranari might say, I fully intend to skip school and see him off.

  132. 29

    After that, within about an hour, the gathering had grown quite disorderly.

  133. 'Oh, have one more'; 'Hey, I'm telling you to drink.' ... voices like these came thick and slurred from one or two men whose tongues had already given out on them.

  134. Growing a little bored, I went to the privy, and while I stood looking out at the old-fashioned garden by starlight, Porcupine came up.

  135. 'Well, wasn't that a fine speech of mine just now?'

  136. he said, looking mightily pleased with himself.

  137. When I said I agreed with it heartily but there was one point I didn't much care for, he asked what part I objected to.

  138. 30

    'You said there wasn't a single fashionable rascal in Nobeoka who wears a handsome face while entrapping people, didn't you...'

  139. 31

    'That's right.'

  140. 32

    '"Fashionable rascal" alone doesn't go far enough.'

  141. 33

    'Then what should I have said?'

  142. 34

    'You should have said: fashionable rascal, con man, swindler, wolf-in-sheep's-clothing, carnival huckster, bogeyman, police informer — a fellow who's no better than a dog, and barks like one too.'

  143. 35

    'My tongue doesn't run to anything like that.'

  144. 'You've got a real gift for talk.'

  145. 'For one thing, you know an awful lot of words.'

  146. 'It's a wonder you can't manage a speech, with all that.'

  147. 36

    'Oh, these are just words I keep in reserve for when I'm picking a fight.'

  148. 'Once it's a speech, none of it comes out the same way.'

  149. 37

    'Is that so — well, it certainly came pouring out just now.'

  150. 'Try it again, let's hear.'

  151. 38

    'I'll say it as many times as you like — listen.'

  152. '—fashionable rascal, con man, swindler...'

  153. He'd just started in on it when, with a great clattering of feet along the veranda, a couple of men came stumbling and staggering toward us.

  154. 39

    'Well, gentlemen, that's a fine thing — running off on us — I won't let you get away while I'm around, come on and drink up.'

  155. 'A swindler, was it?'

  156. 'How rich — how rich indeed.'

  157. 'Now, drink up.'

  158. 40

    And with that they hauled Porcupine and me along by main force.

  159. Truth is, the two of them had come to use the privy themselves, but being so drunk, they'd forgotten all about going in and were simply dragging us off instead.

  160. I suppose a drunk man invents himself a new errand out of whatever crosses his eye, and forgets the last one on the spot.

  161. 41

    'Here now, everyone, I've dragged in the swindler.'

  162. 'Come, someone pour him a drink.'

  163. 'Get the swindler good and drunk, as much as he can take.'

  164. 'You mustn't run off now.'

  165. 42

    And though I hadn't the least intention of running off, he pinned me against the wall.

  166. Looking around the room, there wasn't a single tray with any decent food still on it.

  167. Some fellows had cleaned their own trays completely bare and gone off raiding five or six ken, about ten yards, down the room.

  168. The principal was nowhere to be seen — he must have slipped away at some point.

  169. 43

    Just then, 'Is the party in here?'

  170. came the voice, and three or four geisha stepped in.

  171. I was a little startled myself, but being pinned against the wall as I was, I just stayed put and watched.

  172. At that, Red Shirt, who up till then had been leaning against the alcove post smugly puffing on his usual amber pipe, suddenly stood up and made to leave the room.

  173. One of the geisha coming in the other way passed him with a smiling greeting.

  174. She was the youngest and prettiest of the lot.

  175. I couldn't hear from that distance, but it seemed to be something like 'Oh, good evening.'

  176. Red Shirt walked straight out with a face that pretended not to know her, and never showed himself again.

  177. I suppose he'd gone chasing after the principal, back home.

  178. 44

    Once the geisha arrived the whole room turned suddenly festive, so noisy it was as if everyone had let out a war-cry of welcome.

  179. One fellow One fellow started playing nanko, guessing the hidden sticks..

  180. The shouting was so loud it might have been a sword-drawing drill.

  181. Over here, someone was Over here, they were playing a hand game of ken..

  182. The way they threw up both hands, shouting 'yo!' and 'ha!' in a frenzy, was far more skillful than any of Dark's troupe of puppets.

  183. Over in the corner someone called, 'Hey, pour me one,' shook an empty flask, and corrected himself: 'Sake — bring the sake.'

  184. It was altogether too loud and unbearably rowdy.

  185. The only one sitting with his head down, looking idle and lost in thought amid it all, was Uranari.

  186. This farewell party thrown in his own honor wasn't held because anyone regretted his transfer.

  187. It was only so that everyone could drink and amuse themselves.

  188. It was so that he alone could sit there suffering, at loose ends.

  189. With a farewell party like this, it would have been far better not to have one at all.

  190. 45

    After a while, each man began bellowing out some song of his own in a booming voice.

  191. A geisha who'd come to sit before me picked up her shamisen and said, 'Go on, sing us something,' so I told her I wasn't singing, let her sing instead — and she launched into: 'With gongs and drums, hey — lost, lost little Santarō, dondoko, don no chan chikirin.'

  192. 'If beating a drum and going round could bring us together, why, I too have someone I long to meet, and I'd go round beating gongs and drums, dondoko, don no chan chikirin' — she sang it through in two breaths and said, 'Oh, that's tiring.'

  193. If it was so tiring, she might as well have picked something easier.

  194. 46

    At that, Toady, who'd sat himself down beside her without my noticing, chimed in — 'Now, Suzu-chan, just when you finally meet the one you long for, off he goes right away, terribly sorry for you, I'm sure' — still talking in that comic-storyteller's manner of his.

  195. 'Don't know what you mean,' the geisha said, and turned up her nose.

  196. Toady paid no mind at all, and in a grating voice launched into an imitation of gidayū chanting: 'though by chance we meet, we meet...'

  197. 'Oh, stop it,' the geisha said, and slapped Toady's knee with the flat of her hand, and Toady, thoroughly delighted, only laughed.

  198. This was the same geisha who'd greeted Red Shirt earlier.

  199. Laughing at being slapped by a geisha — Toady really is a blessedly simple fool.

  200. 'Suzu-chan, I'll dance the Kii-no-kuni for you, so give us a tune,' he announced.

  201. Toady, on top of everything, still meant to go on dancing.

  202. 47

    Off in the distance, the old Chinese-classics teacher twisted his toothless mouth and got as far as, 'Oh, I can't hear you, Denbei-san, you and I, between us...' without mishap, but then, 'and then?'

  203. he asked the geisha.

  204. Old men really do have terrible memories.

  205. One of the geisha caught hold of the natural-history teacher and said, 'There's a new one out lately, want me to play it for you?'

  206. 'Listen carefully now' — and she sang: 'Kagetsu-maki hairdo, white ribbon, fashionable head, rides a bicycle, plays the violin, rattles off half-baked English — "I am glad to see you"' — and the natural-history man, quite impressed, said, well now, that's clever, English and all.

  207. 48

    Porcupine, in a ridiculously loud voice, kept calling out 'Geisha! Geisha!' and issued the order that he was going to perform a sword-dance, so someone had better play the shamisen.

  208. His voice was so rough that the geisha were too taken aback even to answer.

  209. Porcupine paid this no mind whatsoever, fetched a walking stick, strode out into the middle of the room, and began performing his party trick all alone, declaiming 'I have crossed a thousand mountains, ten thousand peaks wreathed in mist.'

  210. Meanwhile Toady, having already finished his Kii-no-kuni, finished his kappore, finished 'Daruma-san on the shelf,' had stripped down to nothing but a loincloth, and now tucked a palm-bark broom under his arm and went parading around the whole room chanting 'the Sino-Japanese negotiations have broken down...'

  211. The man was a perfect lunatic.

  212. 49

    I'd been feeling sorry past bearing for Uranari, who all this while had sat there looking miserable, still in his hakama, sitting quietly apart, and I thought that however much this was his own farewell party, there was no need for him to sit there enduring even a stripped-down loincloth dance in full formal dress, so I went over and urged him to leave, saying, 'Koga-san, let's go home now.'

  213. But Uranari said that since this was his own farewell party, it would be discourteous of him to leave ahead of everyone else, please don't mind him — and showed no sign of budging at all.

  214. 'What does it matter,' I said, 'if it's a farewell party, they ought to at least act like one — just look at that.'

  215. 'It's a madhouse.'

  216. 'Come, let's go' — and I pressed him, reluctant as he was, and just as we were making for the door, Toady came marching up waving his broom about and said, 'Well now, isn't it a shame, the guest of honor running off first.'

  217. 'The Sino-Japanese negotiations.'

  218. 'Can't let him go home,' he said, and held the broom crosswise, blocking our way.

  219. My temper had already been rising for a while, so I said, 'If it's the Sino-Japanese negotiations, then you must be the Chinaman,' and gave Toady's head a good crack with my fist, just like that.

  220. Toady stood there dazed for a couple of seconds, all the wind knocked out of him, then said, 'Well, now, that's a rotten trick.'

  221. 'How shameful of you to hit me.'

  222. 'To lay hands on me, Yoshikawa, no less — I'm quite overcome.'

  223. 'This really is the Sino-Japanese negotiations now.'

  224. While he went on stringing together this nonsense, Porcupine, seeing from behind that some kind of commotion had started, broke off his sword-dance and came running over, and taking in the whole sorry scene, seized Toady hard by the scruff of the neck and hauled him back.

  225. 'Sino-Japan— ow.'

  226. 'Ow.'

  227. 'This is outrageous,' he cried, struggling to shake free, and when Porcupine gave him a sideways wrench, he went down flat with a thump.

  228. What happened after that, I have no idea.

  229. I parted from Uranari partway home, and by the time I got back it was past eleven o'clock.

The particulars

The text
坊っちゃん, Natsume Sōseki. Botchan.
Translation
Public-domain Japanese (Natsume Sōseki, d. 1916; published 1906). English translation © 2026 1732 Studios, LLC.
Reading aloud
Digital narration, directed by 1732 Studios.
Words
Every word of the text, by letter.
Data
JSON · Markdown · A guide for agents
Two whoopie pies and a pine. An inside joke.