Dutch Conversation-Grammar 1732 Studios

Dutch · Unit 32

Book III, Unit 5: Unit 5

Refresher Course, Books II and III

Unit 5

136 lines

De D.A.F.

A conversation to listen to

A spontaneous conversation between two educated Dutch speakers, recorded in 1961 without a script. The text keeps what they said as they said it: hesitations, repeated words, words left out.

Listen first with the text, then without it. The aim is to follow the whole conversation by ear.

  1. 1

    Have you seen the new DAF cars yet?

    Hebdo you have
    jedo you have
    diewho (relative)
    nieuwenew
    DAFDAF
    auto'scars
    alalready
    gezien?to see
  2. 2

    Well, this last vacation in Holland I saw quite a few driving around. Kind of a little, a small kind of car with an odd shape.

  3. 3

    Yes, I've often seen pictures of them. What is the real difference, eh, between the DAF and the other small cars such as a Renault and a Volkswagen, and so on?

  4. 4

    The Netherlands started to make a small car like that, then, because they'd come up with an idea for an automatic clutch.

  5. 5

    Well, are they built heavier or lighter than a Renault or a Volkswagen?

  6. 6

    They're a little lighter, mainly because it has an aluminum engine, I think, and also, of course, the transmission has been omitted completely.

  7. 7

    Of course, it doesn't hold the road as well as a heavier car?

I. Dialog for Listening

DLI Dutch Refresher Course (1961), Book III, Lesson 29. De D.A.F.

This is a spontaneous conversation between educated and imaginative Dutch speakers. No scripts were used in recording. The result is natural spoken Dutch.

All the dialogs entitled Dialog for Listening have been reproduced in your text in such a way as to capture their spontaneity. This includes hesitation sounds, repetitions, omitted words and other features that are characteristic of unrehearsed, non-selfconscious, conversational-style speech.

The Dialog for Listening section is for oral comprehension. The student should follow this section in his text, as he listens to it on tape, until such time as he can dispense with the text and understand everything from the tape alone.
  1. 8

    That's true.

  2. 9

    What would you suggest, supposing that I wanted to buy a car?

  3. 10

    Well, for your wife an automatic transmission would be nice, but for yourself, I'd perhaps buy a Renault or a Volkswagen.

  4. 11

    Oh, but then that would be two cars!

  5. 12

    Yes, that would be best.

  6. 13

    Well, I'll look around. Thanks for your good advice.

  7. 14

    Fine. Bye, Shuul.

Een Avondje Uit

  1. 15

    The Hague is really a difficult city to go out in evenings. I can never really find anything that I can go to, there is really so little to do in The Hague, I find.

  2. 16

    Well, of all three of the big cities, of Rotterdam, Amsterdam and The Hague, I believe that The Hague offers the most.

  3. 17

    Well, yes; naturally, it's more Scheveningen.

  4. 18

    Yes, that's really quite true.

  5. 19

    On the Geverts Deynoots Square, there you have . . . then you have the Dance Palace there on the corner and the “Kurhaus” bar, and then you have the Savoy. And the students' night club is there, too. And, of course, Pia Beck [ very popular jazz pianist and vocalist].

  6. 20

    Pia Beck, yes.

  7. 21

    In the cellar there.

I. Dialog for Listening

DLI Dutch Refresher Course (1961), Book III, Lesson 30. Een Avondje Uit

This is a spontaneous conversation between educated and imaginative Dutch speakers. No scripts were used in recording. The result is natural spoken Dutch.

All the dialogs entitled Dialog for Listening have been reproduced in your text in such a way as to capture their spontaneity. This includes hesitation sounds, repetitions, omitted words and other features that are characteristic of unrehearsed, non-selfconscious, conversational-style speech.

The Dialog for Listening section is for oral comprehension. The student should follow this section in his text, as he listens to it on tape, until such time as he can dispense with the text and understand everything from the tape alone.
  1. 22

    The Flying Dutchman. That's, of course, where . . . eh, the “Kurhaus”, naturally, is always an attraction, too, with its concerts, but then you have to be especially interested in music.

  2. 23

    Have you ever been to one of those concerts in eh . . . ?

  3. 24

    Two years ago we went to the “Kurhaus”, to Nathan Milstein.

  4. 25

    There really is a lot of lively night life there at Scheveningen, but then that's about all. In The Hague itself there is nothing.

  5. 26

    Nothing at all.

Sinterklaas

  1. 27

    Pardon me, sir, for addressing you, but who is that man, there, with the high red miter and the long beard, with all the children standing around him?

  2. 28

    Oh, that's St. Nicholas.

  3. 29

    St. Nicholas, who's that?

  4. 30

    St. Nicholas was really a bishop at Mira, in Asia Minor, and was highly venerated in Spain, and, in the Middle Ages, his fame spread to the Netherlands.

  5. 31

    Was that a result of the Spanish occupation?

  6. 32

    That was a result of the Spanish occupation. He was the patron saint of seafarers and, so, eh, the patron saint of Amsterdam.

  7. 33

    Amsterdam?

I. Dialog for Listening

DLI Dutch Refresher Course (1961), Book III, Lesson 31. Sinterklaas

This is a spontaneous conversation between educated and imaginative Dutch speakers. No scripts were used in recording. The result is natural spoken Dutch.

All the dialogs entitled Dialog for Listening have been reproduced in your text in such a way as to capture their spontaneity. This includes hesitation sounds, repetitions, omitted words and other features that are characteristic of unrehearsed, non-selfconscious, conversational-style speech.

The Dialog for Listening section is for oral comprehension. The student should follow this section in his text, as he listens to it on tape, until such time as he can dispense with the text and understand everything from the tape alone.
  1. 34

    Yes, because Amsterdam was a port city. At that time, too, the custom was slowly established of having St. Nicholas give rewards for good behavior every year to the seafarers' children, who lived in a kind of boarding school, if they had been good.

  2. 35

    Did that start in the Middle Ages, as you said?

  3. 36

    That began in the Middle Ages.

  4. 37

    And when is St. Nicholas' day?

  5. 38

    That's the sixth of December.

  6. 39

    Who is the little black man who always goes with him?

  7. 40

    Yes, that's Black Pete, and that's another legend, that was added later. Well, then, once the idea had been established here that St. Nicholas came from Spain, then, of course, he had to have someone from Spain to accompany him.

  8. 41

    Oh!

De Sport in Nederland

  1. 42

    Pardon me, sir, do you have a light?

  2. 43

    Certainly, certainly.

  3. 44

    Here . . . right. Oh, I see that you're reading the sports' page. Are you interested in sports, too?

  4. 45

    Yes. I'm not a, not an expert, not at all, but I do read through it every day to see what's new.

  5. 46

    Yes, I'm a foreigner myself and, eh, I find it so interesting that the Dutch lose themselves completely in soccer. Where I come from, it's, of course, baseball, what you call "honkbal" in Holland. Or, uh, American football, which, of course, is something entirely different.

  6. 47

    I've heard that, uh, European or Dutch football is played in America, too, but that it has a different name there. Is that so?

  7. 48

    Right, right. It's called soccer there and right now it's starting to get popular. Many of the universities have started it.

I. Dialog for Listening

DLI Dutch Refresher Course (1961), Book III, Lesson 32. De Sport in Nederland

This is a spontaneous conversation between educated and imaginative Dutch speakers. No scripts were used in recording. The result is natural spoken Dutch.

All the dialogs entitled Dialog for Listening have been reproduced in your text in such a way as to capture their spontaneity. This includes hesitation sounds, repetitions, omitted words and other features that are characteristic of unrehearsed, non-selfconscious, conversational-style speech.

The Dialog for Listening section is for oral comprehension. The student should follow this section in his text, as he listens to it on tape, until such time as he can dispense with the text and understand everything from the tape alone.
  1. 49

    Uh . . . do I understand correctly that you're allowed to use the hands there?

  2. 50

    Everything is allowed. You can grab each other, which, of course, is strictly forbidden in Dutch football, as I understand.

  3. 51

    In Dutch football . . . yes, yes . . .

  4. 52

    Fine. Have a good trip.

  5. 53

    Thank you.

Koninginnedag

  1. 54

    Tomorrow is the Queen's Birthday again, how time flies, eh?

  2. 55

    Yes, terrible. Now I've heard that they're planning to hold the birthday celebration of the Queen on the day of Queen Wilhelmina, that is, on the 31st of August.

  3. 56

    I think it's much better. For that matter, we shouldn't be the only country to do that, because in England they do it exactly the same.

  4. 57

    Oh, is that so?

  5. 58

    Well, I think that's much better when it's on the 31st of August.

  6. 59

    Yes, with such things, the question often is, who has to take the initiative.

  7. 60

    No, I don't know who has to take the initiative in that case. Probably the government. Yes, and, of course, one advantage is, it falls on April thirtieth and then you have the First of May celebration and, after that, the Fifth of May celebration that, therefore, falls flat.

I. Dialog for Listening

DLI Dutch Refresher Course (1961), Book III, Lesson 33. Koninginnedag

This is a spontaneous conversation between educated and imaginative Dutch speakers. No scripts were used in recording. The result is natural spoken Dutch.

All the dialogs entitled Dialog for Listening have been reproduced in your text in such a way as to capture their spontaneity. This includes hesitation sounds, repetitions, omitted words and other features that are characteristic of unrehearsed, non-selfconscious, conversational-style speech.

The Dialog for Listening section is for oral comprehension. The student should follow this section in his text, as he listens to it on tape, until such time as he can dispense with the text and understand everything from the tape alone.
  1. 61

    Yes. That's true.

  2. 62

    Because a lot of people complain about the Fifth of May celebration, but . . .

  3. 63

    That is, it seems to me, also one of the reasons why the Fifth of May celebration, one could say, is such a flop.

  4. 64

    Oh, that's always been a flop, I believe that they only celebrated it once, and that was all, too.

  5. 65

    Yes, yes, yes . . .

  6. 66

    Yes, but we'll see what'll come of it.

Substitution drill 1, part 1

Substitution drills

A drill starts from one sentence of the dialogs. Each turn gives a new word or phrase to put in the sentence in place of one of its parts.

Say the whole sentence again with the new part in place. The shape of the sentence does not change. Only the one part does.

  1. 67

    Heb je die nieuwe DAF auto's al gezien?

    Have you already seen those new DAF cars?

  2. 68

    Heb je het nieuwe monument al gezien?

    Have you already seen the new monument?

  3. 69

    Heb je de tentoonstelling al gezien?

    Have you already seen the exposition?

  4. 70

    Heb je de laatste vertoning al gezien?

    Have you already seen the last performance?

  5. 71

    Heb je de laatste Dior modes al gezien?

    Have you already seen the latest Dior fashions?

  6. 72

    Heb je al enige van de nieuwe auto's gezien?

    Have you already seen any of the new cars?

  7. 73

    Heb je het nieuwe Shell gebouw al gezien?

    Have you already seen the new Shell building?

Substitution Drills

DLI Dutch Refresher Course (1961), Book III, Lesson 34. Substitution Drill 1.

Listen to and repeat the first sentence of the drill on tape. Your voice will be followed by a low voice on tape to correct any mistakes in your utterance. You will now immediately hear a word or phrase that you are to substitute into the original sentence. Without hesitating, say the entire sentence again, this time with the new element in place of an element in the original sentence. You will again be corrected. Then you will hear, as before, another element for substitution. Again you will repeat the entire sentence, dropping the old element and substituting the new element in its place.

They are based on the previous five dialogs. Their purpose is to give you fluency in controlling sentences of the dialogs with additional variations provided by the substitution elements. You will observe that the basic structure of the dialog sentences does not change in these drills.

Substitution drill 1, part 2

  1. 74

    Heb je die nieuwe DAF auto's al gezien?

    Have you already seen those new DAF cars?

  2. 75

    Heb je de afbraak van het oude station al gezien?

    Have you already seen the demolition of the old station?

  3. 76

    Heb je de nieuwe hoofdweg al gezien?

    Have you already seen the new highway?

  4. 77

    Heb je die nieuwe DAF auto's al gezien?

    Have you already seen those new DAF cars?

Substitution drill 2, part 1

  1. 78

    Ik vind er eigenlijk nooit iets, waar ik naartoe kan gaan.

    I really never find anything there that I can go to.

  2. 79

    Ik vind er eigenlijk nooit iets, wat ik al gedaan heb.

    I really never find anything there that I have done before.

  3. 80

    Ik vind er eigenlijk nooit iets, dat ik doen kan.

    I really never find anything there that I can do.

  4. 81

    Ik vind er eigenlijk nooit iets, waar ik enthousiast over ben.

    I really never find anything there that I really enjoy.

  5. 82

    Ik vind er eigenlijk nooit iets, waar ik een hekel aanheb.

    I really never find anything there that I dislike.

  6. 83

    Ik vind er eigenlijk nooit iets, waarmee ik mijn verveling kan verdrijven.

    I really never find anything there with which I can kill my boredom.

  7. 84

    Ik vind er eigenlijk nooit iets, waarmee ik genoegen kan nemen.

    I really never find anything there with which I am satisfied.

Substitution Drills

DLI Dutch Refresher Course (1961), Book III, Lesson 34. Substitution Drill 2.

Listen to and repeat the first sentence of the drill on tape. Your voice will be followed by a low voice on tape to correct any mistakes in your utterance. You will now immediately hear a word or phrase that you are to substitute into the original sentence. Without hesitating, say the entire sentence again, this time with the new element in place of an element in the original sentence. You will again be corrected. Then you will hear, as before, another element for substitution. Again you will repeat the entire sentence, dropping the old element and substituting the new element in its place.

They are based on the previous five dialogs. Their purpose is to give you fluency in controlling sentences of the dialogs with additional variations provided by the substitution elements. You will observe that the basic structure of the dialog sentences does not change in these drills.

Substitution drill 2, part 2

  1. 85

    Ik vind er eigenlijk nooit iets, waar ik naartoe kan gaan.

    I really never find anything there that I can go to.

  2. 86

    Ik vind er eigenlijk nooit iets, wat me plezier doet.

    I really never find anything there that pleases me.

  3. 87

    Ik vind er eigenlijk nooit iets, wat ik zou willen kopen.

    I really never find anything there that I would like to buy.

  4. 88

    Ik vind er eigenlijk nooit iets, waar ik naartoe kan gaan.

    I really never find anything there that I can go to.

Substitution drill 3, part 1

  1. 89

    Wie is toch die man daar met die grote rode mijter?

    Who is that man there with that high red miter?

  2. 90

    Wie is toch die man daar met de paraplu?

    Who is that man there with the umbrella?

  3. 91

    Wie is toch die man daar zonder overjas?

    Who is that man there without the overcoat?

  4. 92

    Wie is toch die man daar met een wandelstok?

    Who is that man there with a walking-cane?

  5. 93

    Wie is toch die man daar onder het zonnescherm?

    Who is that man there under the sunshade?

  6. 94

    Wie is toch die man daar in de verte?

    Who is that man there in the distance?

  7. 95

    Wie is toch die man daar met z'n regenjas?

    Who is that man there with a raincoat?

Substitution Drills

DLI Dutch Refresher Course (1961), Book III, Lesson 34. Substitution Drill 3.

Listen to and repeat the first sentence of the drill on tape. Your voice will be followed by a low voice on tape to correct any mistakes in your utterance. You will now immediately hear a word or phrase that you are to substitute into the original sentence. Without hesitating, say the entire sentence again, this time with the new element in place of an element in the original sentence. You will again be corrected. Then you will hear, as before, another element for substitution. Again you will repeat the entire sentence, dropping the old element and substituting the new element in its place.

They are based on the previous five dialogs. Their purpose is to give you fluency in controlling sentences of the dialogs with additional variations provided by the substitution elements. You will observe that the basic structure of the dialog sentences does not change in these drills.

Substitution drill 3, part 2

  1. 96

    Wie is toch die man daar met die grote rode mijter?

    Who is that man there with that high red miter?

  2. 97

    Wie is toch die man daar met z'n rode zwempak?

    Who is that man there with the red bathing suit?

  3. 98

    Wie is toch die man daar aan de overkant van de straat?

    Who is that man there on the other side of the street?

  4. 99

    Wie is toch die man daar met die grote rode mijter?

    Who is that man there with that high red miter?

Substitution drill 4, part 1

  1. 100

    Pardon, mijnheer, heeft U een vuurtje voor mijn sigaret?

    Pardon me, sir, do you have a light for my cigarette?

  2. 101

    Pardon, mijnheer, maar heeft U een toegangsbewijs?

    Pardon me, sir, but do you have an admission ticket?

  3. 102

    Pardon, mijnheer, mag ik Uw kaartje eens zien?

    Pardon me, sir, may I see your ticket?

  4. 103

    Pardon, mijnheer, mag ik Uw krant even lenen?

    Pardon me, sir, may I borrow your newspaper?

  5. 104

    Pardon, mijnheer, staat U toe dat ik rook?

    Pardon me, sir, do you mind if I smoke?

  6. 105

    Pardon, mijnheer, maar ik geloof dat U op mijn plaats zit.

    Pardon me, sir, but I think that you're taking my seat.

  7. 106

    Pardon, mijnheer, kunt U een beetje opschuiven?

    Pardon me, sir, could you move over a little?

Substitution Drills

DLI Dutch Refresher Course (1961), Book III, Lesson 34. Substitution Drill 4.

Listen to and repeat the first sentence of the drill on tape. Your voice will be followed by a low voice on tape to correct any mistakes in your utterance. You will now immediately hear a word or phrase that you are to substitute into the original sentence. Without hesitating, say the entire sentence again, this time with the new element in place of an element in the original sentence. You will again be corrected. Then you will hear, as before, another element for substitution. Again you will repeat the entire sentence, dropping the old element and substituting the new element in its place.

They are based on the previous five dialogs. Their purpose is to give you fluency in controlling sentences of the dialogs with additional variations provided by the substitution elements. You will observe that the basic structure of the dialog sentences does not change in these drills.

Substitution drill 4, part 2

  1. 107

    Pardon, mijnheer, heeft U een vuurtje voor mijn sigaret?

    Pardon me, sir, do you have a light for my cigarette?

  2. 108

    Pardon, mijnheer, kunt U mij de weg wijzen?

    Pardon me, sir, can you tell me the way?

  3. 109

    Pardon, mijnheer, kunt U mij vertellen hoe laat het is?

    Pardon me, sir, can you tell me what time it is?

  4. 110

    Pardon, mijnheer, heeft U een vuurtje voor mijn sigaret?

    Pardon me, sir, do you have a light for my cigarette?

Substitution drill 5, part 1

  1. 111

    We zullen wel zien wat ervan komt.

    We'll see what will come of it.

  2. 112

    We zullen wel zien wat er gaat gebeuren.

    We'll see what will happen.

  3. 113

    We zullen wel zien met welk kostuum hij voor de dag komt.

    We'll see with what costume he'll appear.

  4. 114

    We zullen wel zien wat hij klaargespeeld heeft.

    We'll see what he has accomplished.

  5. 115

    We zullen wel zien wat zij klaargespeeld hebben.

    We'll see what they have accomplished.

  6. 116

    We zullen wel zien wat U klaargespeeld heeft.

    We'll see what you have accomplished.

  7. 117

    We zullen wel zien hoe het in mekaar zit.

    We'll see what it's all about.

Substitution Drills

DLI Dutch Refresher Course (1961), Book III, Lesson 34. Substitution Drill 5.

Listen to and repeat the first sentence of the drill on tape. Your voice will be followed by a low voice on tape to correct any mistakes in your utterance. You will now immediately hear a word or phrase that you are to substitute into the original sentence. Without hesitating, say the entire sentence again, this time with the new element in place of an element in the original sentence. You will again be corrected. Then you will hear, as before, another element for substitution. Again you will repeat the entire sentence, dropping the old element and substituting the new element in its place.

They are based on the previous five dialogs. Their purpose is to give you fluency in controlling sentences of the dialogs with additional variations provided by the substitution elements. You will observe that the basic structure of the dialog sentences does not change in these drills.

Substitution drill 5, part 2

  1. 118

    We zullen wel zien wat ervan komt.

    We'll see what will come of it.

  2. 119

    We zullen wel zien hoe we het klaarspelen.

    We'll see how we'll accomplish it.

  3. 120

    We zullen wel zien hoe we het geld bij elkaar krijgen.

    We'll see how we'll get the money.

  4. 121

    We zullen wel zien wat ervan komt.

    We'll see what will come of it.

Unit 5 test, part 1

The unit's test

Fifteen sentences from the unit's dialogs, heard once each.

Write the English for each. Any English that says the same thing is right. The test asks only whether the sentence was understood.

  1. 122

    Who is that man there with the red mitre?

  2. 123

    He was the patron saint of the seafarers and, therefore, the patron saint of Amsterdam.

  3. 124

    Did that start in the Middle Ages, as you said?

  4. 125

    Who is that little black man who always goes with him?

  5. 126

    And when is St. Nicholas' Day?

  6. 127

    What would you suggest, supposing that I wanted to buy a car?

  7. 128

    Well, this last vacation in Holland, I saw quite a few driving around.

Test on the Unit

DLI Dutch Refresher Course (1961), Book III, Lesson 35. Test on Unit 5.

The test tape consists of a translation drill containing fifteen sentences taken from the dialogs of the unit. This is a test for comprehension.

Have pencil and paper ready. Listen to the sentences and write an English equivalent in the time allotted.

The test tape tests only your comprehension of dialog sentences. The English provided in these answers is an equivalent and not a literal translation. Any parallel English sentence would be acceptable.

Unit 5 test, part 2

  1. 129

    Of course, it doesn't hold the road as well as a heavier car.

  2. 130

    What is the real difference between the DAF and the other small cars?

  3. 131

    The Hague is really a difficult city to go out in for an evening.

  4. 132

    Have you ever been to one of those concerts?

  5. 133

    I'm not an expert but, nevertheless, I read it every day to see what's new.

  6. 134

    Many of the universities have started it.

  7. 135

    Yes, but we'll see what will happen.

  8. 136

    It seems to be so much better to me.

The particulars

The course
Valette, Dutch Conversation-Grammar (1913) and its Key (1893); Defense Language Institute, Dutch Refresher Course, Books I to III (1961). Public domain. The teaching pages, the readings' English, the answers to the conversations and the narration are ours.
Reading aloud
Digital narration, directed by 1732 Studios.
The book
Max Havelaar, the work this course leads to, free to read here.
Data
JSON · Markdown · A guide for agents
Two whoopie pies and a pine. An inside joke.