New Poems 1732 Studios

German · New Poems: The Other Part

Die Parke I-VII

The Parks I-VII

121 lines · 102 notes

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    Unstoppably the parks rise up

    UnaufhaltsamUnstoppablyunaufhaltsam · adverbdepends on heben
    hebenriseheben · verb, present, indicative, third-person, pluralmain verb of the sentence
    sichthemselvessich · pronoun, accusative, plural, reflexivedepends on heben
    dietheder · determiner, nominative, masculine, pluraldepends on Parke
    ParkeparksPark · noun, nominative, masculine, pluralsubject of heben
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    out of the softly crumbling decay;

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    heaped over with skies, overstrong

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    handed-down things that outlast,

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    to spread themselves out on the clear lawns

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    and to draw themselves back in,

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    always with the same sovereign

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    lavishness, as if protected by it,

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    and still increasing the inexhaustible yield

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    of royal greatness yet further,

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    rising out of themselves, returning into themselves:

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    gracious, resplendent, purple and pompous.

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    II

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    Softly by the avenues

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    taken hold of, right and left,

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    following the onward going

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    of some beckoning,

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    you step all at once

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    into the being-together

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    of a shadowy water-basin

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    with four benches of stone;

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    into a cut-off

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    time, that passes alone.

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    Onto damp pedestals,

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    on which nothing stands any more,

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    you draw a deep

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    expectant breath;

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    while the silvery trickling

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    before the dark prow

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    already counts you among its own

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    and goes on speaking.

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    And you feel yourself among stones

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    that hear, and you do not stir.

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    III

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    From the ponds and the framed-in pools

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    one still keeps hidden the questioning

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    of the kings. They wait beneath veils,

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    and at any moment Monseigneur may

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    come passing by; and then they wish

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    to soften the king's whim or sorrow

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    and from the marble rims again let down the

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    carpets with old reflections

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    let hang down, as if around a square:

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    on a green ground, with silver, pink, gray,

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    a granted white and lightly stirred blue

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    and a king and a woman

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    and flowers in the rippling border.

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    IV

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    And Nature, illustrious, and as though it injured

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    only an irresolute approximation,

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    took its laws from these kings,

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    blissful itself, to pile up, around the tapis-vert,

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    the dream and exaggeration of its trees

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    out of billowed green,

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    and to paint the evenings, after the description

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    by lovers, into the avenues,

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    with the soft brush,

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    that seemed to hold, glistening, a varnish-clear, dissolved

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    smile within it:

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    a smile dear to Nature, not its greatest,

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    but one that it lent out itself,

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    to raise it, on a rose-filled isle of love,

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    into something greater.

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    V

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    Gods of avenues and balconies,

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    gods never wholly believed in, that

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    grow old in the straight-cut walks,

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    at most smiled-at Dianas,

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    when the royal hunting-party

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    splitting the high mornings like a wind

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    set out, hurried and hurrying–;

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    at most smiled-at, yet never

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    implored gods. Elegant

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    pseudonyms, under which one

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    hid, and bloomed or burned,–

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    lightly inclined, smilingly invoked

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    gods that still, now and then,

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    grant what they once granted,

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    when the blooming of the enchanted gardens

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    takes their cold composure from them;

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    when they tremble all over with the first shadows

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    and give promise upon promise,

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    all boundless and indefinite.

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    VI

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    Do you feel how none of all the

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    paths stops and stalls;

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    from unhurried stairways fall,

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    through a mere nothing of a slope

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    softly lured onward,

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    over all the terraces

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    the paths, between the masses,

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    slowed and steered,

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    as far as the wide ponds,

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    where (as to an equal)

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    the rich park gives away

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    to the rich space: the One,

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    that with shinings and reflections

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    pervades its possession,

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    from which it, on all sides,

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    brings distances with it,

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    when it, out of closing pools,

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    to cloudy evening festivals

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    swings up into the skies.

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    VII

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    But there are basins in which the naiads'

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    reflections, which they no longer bathe,

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    lie as if drowned, sorely distorted;

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    the avenues are, by balustrades,

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    in the distance as if barred shut.

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    Always a damp fall of leaves goes

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    down through the air as if down steps,

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    every birdcall sounds as if ill-omened,

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    as if poisoned every nightingale.

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    Even spring is no longer giving there,

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    these bushes do not believe in it;

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    reluctantly, dully, surviving on, there breathes its scent

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    the stale jasmine,

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    old and mingled with decaying things.

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    Along with you a swarm of midges moves on,

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    as if behind your back

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    everything were at once destroyed and erased.

The particulars

The text
Neue Gedichte, Rainer Maria Rilke. New Poems: The Other Part.
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Public-domain German (Rilke, d. 1926). English translation © 2026 1732 Studios, LLC.
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Two whoopie pies and a pine. An inside joke.