Prīmus et Secundus Annus 1732 Studios

Latin · Unit 44

Vergil: IV Dēclīnātiō to Comparātiō Adverbiōrum

Vergil

IV Dēclīnātiō; Adverbia; V Dēclīnātiō; Comparātiō; Comparātiō Adverbiōrum

40 lines

Vergil's words: infēlix, omnipotens, pando

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    left behind them, by which, while the kingdom stood, unlucky

    āa: from, by, off
    tergō,tergum: back
    īnfēlīxinfelix: unhappy, unlucky
    quāqui: who, which, what, that
    sē,sui: of himself (herself, itself, themselves)
    dumwhile, as long as
    rēgnaregnum: royal power
    manēbant,maneo: MENE
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    which the all-powerful father foretold to Phoebus, and Phoebus Apollo

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    that stretch of Ausonia which Apollo opens lies far away.

Vergil's words: temno, fremo, saeculum

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    son, you who make nothing of the highest father's Typhoean bolts,

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    the young men of Sicily and Troy murmur in wonder at them.

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    outstanding in war and easily fed down the ages.

Vergil's words: colōnus, pontus

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    There was an ancient city, held by settlers out of Tyre,

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    Crete, the island of great Jove, lies in the middle of the sea;

Aeneid II. 717; Aeneid III. 479; Aeneid IV. 387

Vergil's words: ministro, claustra, mōles

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    to Neptune; the god himself supplies the torches and the will.”

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    roar around their bars; Aeolus sits in his high citadel

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    and Gyas the huge Chimaera in her huge bulk,

Vergil's words: decus, dīvus, laetitia

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    daughters of Italy, whom bright Camilla chose herself

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    gifts, and the gladness of the day.

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    Let Bacchus, giver of gladness, be here, and kindly Juno;

Vergil's words: pūbes, genetrix

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    The rest of the young men, of old Acestes' Sicily,

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    holy to me, a mother, for her son. The daughter of Nereus

Aeneid II. 624–625; Aeneid IV. 456

Aeneid IV. 582; Aeneid XII. 240

Vergil's words: ardeo, horreo, mortālis

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    to join right hands, but the unknown business unsettles them.

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    shudder at the gods' answers, and the land about Maeotis,

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    a mortal's, and your voice does not sound human: a goddess, surely:

Vergil's words: sīdus, celēbro, volvo

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    who lately on the Libyan run, while he watched the stars,

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    and we keep the Actian shore with the games of Ilium.

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    At once the winds roll the sea over, and great swells

Vergil's words: continuus, occumbo

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    At once the winds roll the sea over, and great swells

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    son of Tydeus! Could I not have gone down on the plains of Ilium

Aeneid I. 278; Aeneid III. 639–640; Aeneid VII. 695

Vergil's words: furo, aureus, spēlunca

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    rages at the spears and throws itself, not ignorant of it,

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    a golden bow rings at her shoulder, and Diana's weapons.

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    But the all-powerful father hid them in black caverns,

Vergil's words: verso, prōles, lēvis

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    Now the surf has me, and the winds roll me on the shore.

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    Here is Teucer's ancient line, that most beautiful stock,

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    bold in his force, or better with the javelin and the light arrows,

Vergil's words: incumbo, opīmus

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    Then indeed the Teucrians set to, and haul the high ships

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    with Belus' help; my father Belus was laying rich Cyprus

Aeneid I. 12–14; Aeneid I. 380

Aeneid VI. 362; Aeneid IX. 126

Vergil's words: totidem, cupīdo, celero

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    we wander at sea, and as many nights without a star.

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    in her heart: that Cupid, changed in his face and features,

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    So they hurry the journey they had begun, with a following cheer;

Vergil's words: dēmens, immitto, habēna

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    ‘There is no safety in war.' Sing that, madman, over the head

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    to break the bars with his hand and let his comrades in at the gates,

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    into the middle of them, and his brother Liger with him; but the brother

Capitī
kind of tunic worn by, from capitium

Vergil's words: praecipito, nūbilus

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    Throw off delay.” He said no more; and they

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    neither they to one another, nor the clouds, nor the sea gives way;

Aeneid V. 298–299; Aeneid VIII. 90

Aeneid VIII. 301–302; Aeneid VIII. 328–329

The particulars

The course
Paine and Mainwaring, Prīmus Annus (Oxford, 1912) and Secundus Annus (1917); Appleton and Jones, Puer Rōmānus (1913); D'Ooge, Latin for Beginners (Boston, 1911); Ritchie, Fabulae Faciles (1903). Public domain. The teaching pages, the glosses and the narration are ours.
Reading aloud
Digital narration, directed by 1732 Studios.
The app
The course on your phone, with the drills, your place kept and the audio offline.
The book
The Aeneid, the work this course leads to, free to read here.
Data
JSON · Markdown · A guide for agents
Two whoopie pies and a pine. An inside joke.