The Flowers of Evil 1732 Studios

French · Parisian Scenes

Les Petites Vieilles

The Little Old Women

89 lines · 12 notes

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    To Victor Hugo

    Àtoà · prepositionpreposition marking Victor Hugo
    VictorVictorVictor · proper noun, masculine, singularhead of the phrase
    HugoHugoHugo · proper noundepends on Victor
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    I

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    In the winding folds of the old capitals,

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    where everything, even horror, turns to enchantment,

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    I watch, obeying my fatal humors,

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    for singular beings, decrepit and charming.

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    These dislocated monsters were once women,

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    Eponine or Laïs! Monsters broken, hunchbacked

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    or twisted, let us love them! they are souls still.

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    Beneath holed petticoats and beneath cold cloth

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    they crawl, lashed by the wicked north winds,

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    trembling at the rolling crash of the omnibuses,

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    and clutching at their side, like so many relics,

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    a little bag embroidered with flowers or with rebuses;

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    they trot along, exactly like marionettes;

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    they drag themselves, as wounded animals do,

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    or dance, not wishing to dance, poor little bells

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    where a pitiless Demon swings! Broken all over

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    as they are, they have eyes piercing as a gimlet,

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    glistening like those pools where water sleeps at night;

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    they have the divine eyes of the little girl

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    who marvels and who laughs at everything that gleams.

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    — Have you observed that many an old woman's coffin

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    is almost as small as that of a child?

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    Learned Death sets into these matching biers

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    a symbol of a strange and captivating taste,

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    and when I glimpse a feeble phantom

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    crossing the swarming tableau of Paris,

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    it always seems to me that this fragile being

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    is going off, ever so gently, toward a new cradle;

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    unless, musing upon geometry,

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    I ask, at the sight of these discordant limbs,

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    how many times the workman must vary

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    the shape of the box where all these bodies are laid.

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    — These eyes are wells made of a million tears,

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    crucibles that a cooled metal spangled over...

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    these mysterious eyes have invincible charms

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    for him whom austere Misfortune suckled!

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    II

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    Enamored Vestal of the defunct Frascati;

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    Priestess of Thalia, alas! whose name the buried

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    prompter knows; some famous madcap

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    whom Tivoli once shaded in her bloom,

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    all of them intoxicate me; but among these frail beings

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    there are some who, making honey of their grief,

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    have said to the Devotion that lent them its wings:

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    Mighty Hippogriff, bear me up to the sky!

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    one, by her homeland schooled in misfortune,

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    another, whom her husband overburdened with sorrows,

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    another, a Madonna pierced through by her child,

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    all could have made a river with their tears!

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    III

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    Ah! how many of these little old women I have followed!

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    One, among others, at the hour when the falling sun

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    bloodies the sky with crimson wounds,

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    pensive, would sit apart on a bench,

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    to hear one of those concerts, rich in brass,

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    with which the soldiers sometimes flood our gardens,

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    and which, on those golden evenings when one feels reborn,

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    pour some heroism into the hearts of the townsfolk.

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    That one, still erect, proud, and feeling the rule,

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    drank in avidly that brisk and warlike song;

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    her eye at times opened like the eye of an old eagle;

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    her brow of marble seemed made for the laurel!

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    IV

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    Thus you make your way, stoic and without complaint,

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    across the chaos of the living cities,

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    mothers with bleeding hearts, courtesans or saints,

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    whose names were once cited by all.

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    You who were the grace, or who were the glory,

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    no one knows you now! an uncivil drunkard

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    insults you in passing with a derisory love;

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    at your heels gambols a child, cowardly and vile.

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    Ashamed to exist, shriveled shadows,

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    fearful, your backs bent low, you hug the walls;

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    and no one greets you, strange destinies!

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    wreckage of humanity, ripe for eternity!

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    But I, I who from afar watch tenderly over you,

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    my anxious eye fixed on your uncertain steps,

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    just as if I were your father, O marvel!

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    I taste, unknown to you, clandestine pleasures:

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    I see your novice passions unfold;

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    dark or luminous, I live your lost days;

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    my multiplied heart delights in all your vices!

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    my soul shines bright with all your virtues!

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    Ruins! my family! O kindred brains!

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    each evening I bid you a solemn farewell!

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    Where will you be tomorrow, octogenarian Eves,

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    upon whom weighs the dreadful claw of God?

The particulars

The text
Les Fleurs du mal, Charles Baudelaire. Parisian Scenes.
Translation
Public-domain French (Baudelaire, d. 1867). English translation © 2026 1732 Studios, LLC.
Words
Every word of the text, by letter.
Data
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