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Italian · The Games of Life

Mentre soffia il levante

While the East Wind Blows

104 sentences · 15 notes

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  1. 1

    An ancient Sardinian legend holds that the bodies of men born on Christmas Eve will never decay until the end of the ages.

    Un’Anuno · determiner, feminine, singulardeterminer of leggenda
    anticaancientantico · adjective, feminine, singularmodifies leggenda
    leggendalegendleggenda · noun, feminine, singularsubject of afferma
    sardaSardiniansardo · adjective, feminine, singularmodifies leggenda
    affermaholdsaffermare · verb, present, indicative, third-person, singularmain verb of the sentence
    chethatche · subordinating conjunctionintroduces the clause of dissolverà
    iltheil · determiner, masculine, singulardeterminer of corpo
    corpobodycorpo · noun, masculine, singularsubject of dissolverà
    degliof thedi il · prepositionpreposition marking uomini
    uominimenuomo · noun, masculine, pluralmodifies corpo
    natibornnascere · verb, past, participle, masculine, pluralclause modifying uomini
    nellaon thein il · prepositionpreposition marking vigilia
    vigiliaevevigilia · noun, feminine, singularoblique complement of nati
    diofdi · prepositionpreposition marking Natale
    NataleChristmasNatale · proper nounmodifies vigilia
    nonnotnon · adverbmodifies dissolverà
    siitselfsi · pronoun, reflexivedepends on dissolverà

    Part of the intransitive-reflexive verb dissolversi ("to dissolve away"), rendered by the translation as "decay".

    dissolveràwill dissolvedissolversi · verb, future, indicative, third-person, singularclausal complement of afferma
    mainevermai · adverbmodifies dissolverà
    finountilfino · preposition, compound with apart of the compound preposition fino a, marking fine
    allathea il · determiner, feminine, singulardeterminer of fine
    fineendfine · noun, feminine, singularoblique complement of dissolverà
    deiof thedi il · prepositionpreposition marking secoli
    secoliagessecolo · noun, masculine, pluralmodifies fine
  2. 2

    They were speaking of just this in the house of uncle Diddinu Frau, a rich farmer, and Predu Tasca, the fiancé of uncle Diddinu's daughter, was asking: — And what use is that?

  3. What can we do with the body, after we're dead?

  4. 3

    — Well, — the farmer answered — isn't it a divine grace not to be reduced to ashes?

  5. And when the Last Judgment comes, won't it be a beautiful thing to find one's own body intact?

  6. 4

    — Bah, who knows? — said Predu, with a skeptical air.

  7. 5

    — Listen, my son-in-law, — exclaimed the farmer: — the subject is a good one; shall we sing it tonight?

  8. 6

    One should know that uncle Diddinu is an improvising poet, as his father and grandfather were before him; he seizes with joy every occasion to propose a contest of improvised song against poets less skilled than himself.

  9. 7

    — Oh, — observed Maria Franzisca, playing the coquette because her fiancé was watching her, — the subject is not very cheerful.

  10. 8

    — You, be quiet!

  11. You'll go to bed! — shouted the father in a harsh voice.

  12. 9

    Though a poet, he was a rough man, who treated his family, especially his daughters, with an almost savage severity.

  13. And the family respected him and feared him.

  14. In her father's presence Maria Franzisca did not even dare sit beside her Predu (besides, the custom of the village required that engaged couples keep a respectful distance), and she contented herself with flirting with him from afar, bewitching him with the movements of her lovely, blooming figure inside her picturesque dress of scarlet or of orbace, and above all with the glances of her ardent eyes of a greenish blue, big as two ripe almonds.

  15. 10

    It was, then, Christmas Eve: a gray, clouded day, but mild: indeed a levante wind was blowing, carrying the far-off, enervating warmth of the desert and something like a damp smell of the sea.

  16. It seemed as though beyond the mountains, on whose slopes the cold winter grass grew green, and beyond the valley, where the almond trees, too early in bloom, shook themselves, flinging their petals to the wind as if in spite, white as flakes of snow, a great fire were burning, whose flames could not be seen, but whose heat arrived all the same.

  17. And the clouds that appeared over the mountain peaks and rose and spread ceaselessly across the sky seemed made of the smoke of that invisible fire.

  18. The bells were ringing out in festival; the people, made a little strange by the levante, wandered through the streets and houses, thinking of ways to gather together to celebrate Christmas; families exchanged gifts of suckling pigs, of autumn lambs, of meat, of sweets, of dried fruit; the shepherds brought their masters the first milk of the cows, and the mistress of the house sent back to the shepherd the container full of vegetables or something else, taking care never to send it back empty, so as not to wish ill on the livestock.

  19. 11

    Predu Tasca, himself a shepherd too, killed his finest suckling pig, gutted it, dyed its skin with its own blood, filled it with asphodel fronds, put it in a basket, and sent it as a gift to his fiancée.

  20. And the fiancée gave a silver crown to the woman who brought the gift, and inside the basket she placed a sweet of almonds and honey.

  21. 12

    Toward evening the fiancé came to the Frau house and pressed the girl's hand.

  22. She blushed, laughed with pleasure, withdrew her hand: and in her hand, still warm from the loving clasp, she found a gold coin.

  23. 13

    At once she went around the house, secretly showing everyone Predu's fine gift.

  24. 14

    Outside the bells rang out merrily, and the levante carried their metallic sound through the mild, damp evening.

  25. Pietro wore his fine, still medieval costume — the doublet of deep blue velvet and the short black cloak of orbace and finely quilted velvet; and he had a leather belt worked with embroidery and buttons of filigreed gold.

  26. 15

    His long black hair fell over his ears, carefully combed and oiled with olive oil; and since he had already drunk wine and anisette, his dark eyes glittered and his red lips burned within his thick black beard.

  27. He was handsome and fresh as a rustic god.

  28. 16

    — Good evening, — he said, sitting down beside his father-in-law, before the hearth where a holm-oak log was burning.

  29. — May the Lord grant you a hundred Christmases.

  30. How are you getting on?

  31. 17

    — Like the old vultures who have lost their talons, — answered the proud farmer, who was beginning to grow old.

  32. And he recited those famous verses:

  33. 18

    When a man grows old he is no longer good….

  34. 19

    It was then that the legend about those born on Christmas Eve came up.

  35. 20

    — We'll go to Mass, — said uncle Diddinu, — when we get back we'll have a fine supper and afterward we'll sing, then!

  36. 21

    — Even before, if you like.

  37. 22

    — Not before!

  38. — said uncle Diddinu, striking his stick on the hearthstone.

  39. — As long as the Holy Vigil lasts it must be respected: Our Lady suffers the pains of childbirth and we must neither sing nor eat meat.

  40. Oh, good evening, Mattia Portolu!

  41. sit down there and tell me who else is coming.

  42. Maria Franzisca, something to drink!

  43. Bring something to drink for these little lambs.

  44. 23

    The girl poured the drink and, bending before her fiancé to hand him the glass, sparkling like a ruby, she made him drunk with a glance and an ardent smile.

  45. Meanwhile the newcomer was naming the friends who were still to arrive.

  46. 24

    The women were already bustling about preparing supper, around the hearth that stood in the center of the kitchen, marked on the floor by four strips of stone.

  47. On one side sat the men; on the other the women were cooking: on a long spit was already skewered half the suckling pig given by Predu Tasca; and a light, fragrant smoke of cooking food spread through the kitchen.

  48. Two other old relatives came, two brothers who had never wished to marry, so as not to divide their inheritance; they looked like two patriarchs, with long curly hair falling over their flowing white beards; then came a young blind man who felt and brushed the walls with a slender oleander cane.

  49. 25

    One of the old brothers took Maria Franzisca by the waist, pushed her toward her fiancé, and said:

  50. 26

    — What are you doing, little lambs of my heart?

  51. Why do you stay as far apart as the stars?

  52. Hold each other's hands, then, embrace….

  53. 27

    The two young people looked at each other ardently; but uncle Diddinu raised his thundering voice:

  54. 28

    — Old ram, leave them in peace: they have no need of your advice.

  55. 29

    — I know, and none of yours either!

  56. They'll find a way well enough to advise each other! — answered the old man.

  57. 30

    — If that were so, — said the farmer, — I would have to drive that young man off the way one drives off wasps.

  58. Something to drink, Maria Franzisca!

  59. 31

    The girl drew herself, a little mortified, from the old man's arms, and Predu said, adjusting his cap and smiling:

  60. 32

    — Well!

  61. One can't sing or eat, nor anything else….

  62. But can one drink?

  63. 33

    — Everything is allowed, because God is great, — murmured the blind man, seated beside the fiancé.

  64. — Glory to God in the highest, and on earth peace to men of good will.

  65. 34

    And they drank, and how!

  66. Only Pietro barely wet his lips on the rim of the glass.

  67. Outside the bells were ringing; shouts and songs could be heard drifting on the wind.

  68. Toward eleven everyone rose to go to midnight Mass; in the house there remained only the very old grandmother, who in her youth had heard it said that the dead return on Christmas night to visit the houses of their kin.

  69. So she practiced an old rite: she prepared a plate of food and a jug of wine for the dead.

  70. That night too, as soon as she was alone she rose, took the wine and the food, and set them on an outside stairway that climbed from the courtyard to the upper rooms of the house.

  71. 35

    A poor neighbor, who knew the old woman's belief and her rite, jumped over the boundary wall and emptied the food and the wine.

  72. 36

    As soon as they returned from Mass, young and old cheerfully sat down to supper.

  73. Long sacks of woolen cloth were spread out on the ground, and on these the linen cloths spun at home: inside large yellow and red earthenware bowls steamed the macaroni made by the women, and on wooden trenchers the perfectly roasted suckling pig was skillfully carved by Pietro.

  74. 37

    Everyone ate seated on the ground, on mats and sacks; a powerful flame crackled on the hearth, casting reddish glimmers over the figures of the guests; it looked like a scene out of Homer.

  75. And how much they drank!

  76. 38

    After supper the women, by the master's strict will, had to withdraw; the men sat or lay down around the hearth and began to sing.

  77. They were all flushed to their ears, their eyes languid yet bright.

  78. The old farmer opened the contest.

  79. 39

    — So then, — sang the old man, — what do you say, my son-in-law: is it better to be reduced to seven ounces of contemptible dust, or to find our body intact on the day of the Last Judgment? and so on, and so on.

  80. 40

    Pietro adjusted his cap and answered.

  81. 41

    — The subject is funereal — he sang, — let's think of other things: let's sing of love, of pleasure, sas Venus hermosas (the beautiful Venuses)…. cheerful and graceful things, in short.

  82. 42

    Everyone, except the farmer, applauded the pagan stanza; but the old poet grew irritated and said, in verse, that his opponent did not wish to answer, because he did not feel capable of dealing with so lofty a subject.

  83. 43

    Then Predu once more adjusted his cap and answered, still in Sardinian verse:

  84. 44

    “Well then, since you wish it, I'll answer you; I don't like the subject because it's sad, I would rather not think of death, precisely on this night of joy and life, but since you desire it, I tell you: it matters nothing at all to me whether our body remains intact or dissolves.

  85. What are we, once dead?

  86. Nothing.

  87. What matters is that the body be healthy and vigorous during life, in order to work and enjoy…. nothing else!”

  88. 45

    The farmer replied.

  89. Pietro kept striking the same note of the pleasures and joys of life: the two old brothers applauded him; even the blind man gave signs of approval.

  90. The farmer pretended to grow angry, but deep down he was pleased that his son-in-law was proving himself a good poet.

  91. Ah, he would carry on the family's traditional glory!

  92. 46

    But while he tried to demonstrate the vanity of the body's pleasures, uncle Diddinu kept drinking and urging others to drink.

  93. Toward three in the morning everyone was drunk; only the blind man, a formidable drinker, and Pietro, who had drunk little, kept their clarity of mind.

  94. 47

    Pietro, though, had grown drunk on his own singing, and as the hour wore on, he trembled with joy remembering a promise from Maria Franzisca.

  95. Little by little the singers' voices grew faint; the old man began to slur his words; the young man pretended to be overcome with sleep.

  96. In the end they all dropped off to sleep; only the blind man remained seated, gnawing at the rough knob of his stick.

  97. 48

    Suddenly the rooster crowed in the courtyard.

  98. 49

    Pietro opened his eyes and looked at the blind man.

  99. 50

    — He can't see me, — he thought, rising cautiously; — and he went out into the courtyard.

  100. 51

    Maria Franzisca, who was silently coming down the outside stairway, fell into his arms.

  101. 52

    The blind man was perfectly aware that someone had gone outside, and thought it must be Pietro; but he did not stir; instead he murmured: — Glory to God in the highest, and on earth peace to men of good will.

  102. 53

    Outside, the moon ran behind the diaphanous clouds, and in the silvery night the levante wind carried the smell of the sea and the warmth of the desert.

  103. 54

    (1900–1905).

  104. 55

    The end.

The particulars

The text
I giuochi della vita, Grazia Deledda. The Games of Life.
Translation
Public-domain Italian (Deledda, d. 1936; collection published 1905). English translation © 2026 1732 Studios, LLC.
Words
Every word of the text, by letter.
Data
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Two whoopie pies and a pine. An inside joke.