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German · New Poems

Alkestis

Alcestis

96 lines · 83 notes

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    Then suddenly the messenger was among them,

    DaThenda · adverbdepends on war
    plötzlichsuddenlyplötzlich · adverbdepends on war
    warwassein · verb, past, indicative, third-person, singularmain verb of the sentence
    dertheder · determiner, nominative, masculine, singulardepends on Bote
    BotemessengerBote · noun, nominative, masculine, singulardepends on war
    unteramongunter · prepositiondepends on war
    ihnenthemihnen · pronoun, dative, pluraldepends on unter
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    flung into the boiling-over

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    of the wedding-feast like a fresh ingredient.

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    They did not feel, the drinkers, the god's

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    secret entrance, he who held his godhead

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    close about him like a wet cloak

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    and seemed one of them, this one or that,

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    as he passed through. But suddenly,

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    mid-speech, one of the guests caught sight of

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    the young master of the house, high at the table,

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    as if torn aloft, no longer reclining,

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    and everywhere and with his whole being

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    mirroring a strangeness that addressed him terribly.

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    And straightaway, as though the mixture cleared,

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    there was silence; only with a sediment at the bottom

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    of murky noise and a precipitate

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    of falling babble, already smelling spoiled

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    of dull, stagnant laughter gone stale.

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    And then they knew the slender god,

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    and how he stood there, inwardly full of mission,

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    and inexorable,—they knew it almost.

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    And yet, once it was spoken, it was more

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    than all knowing, not to be grasped at all.

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    Admetos must die. When? In this very hour.

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    But he broke the shell of his terror

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    to pieces and stretched out his hands

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    out of it, to bargain with the god.

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    For years, for one single year more of youth,

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    for months, for weeks, for a few days,

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    ah, not days, for nights, only for one,

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    for one night, for this one only: for this.

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    The god said no, and then he cried out

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    and screamed it out and could not hold it and screamed,

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    as his mother cried out in giving birth.

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    And she stepped up to him, an old woman,

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    and the father came too, the old father,

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    and both stood, old, outworn, at a loss,

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    beside the screaming man, who suddenly, as never before

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    so near, looked at them, broke off, swallowed, said:

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    Father,

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    do you really care so much about this remnant,

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    this sediment that gets in the way of your gulping?

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    Go, pour it out. And you, you old woman,

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    matron,

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    what are you still doing here: you have given birth.

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    And he held them both like sacrificial beasts

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    in a single grip. All at once he let go

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    and thrust the old ones away, full of a sudden idea, radiant

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    and drawing breath, calling: Kreon, Kreon!

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    And nothing but that; and nothing but this name.

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    But in his face stood the other thing,

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    which he did not say, awaiting it namelessly,

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    as he, glowing, held it out across the cluttered table

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    to the young friend, the beloved.

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    The old ones (it stood there), you see, are no ransom,

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    they are used up and bad and nearly worthless,

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    but you, you, in all your beauty—

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    But then he saw his friend no longer.

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    He stayed behind, and what came was she,

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    a little smaller, almost, than he had known her,

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    and light and sad in the pale bridal gown.

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    All the others are only her lane,

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    through which she comes and comes—: (in a moment she will be there

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    in his arms, which painfully open).

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    Yet as he waits, she speaks; not to him.

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    She speaks to the god, and the god hears her,

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    and all of them hear it, as it were, only in the god:

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    No one can be a substitute for him. I am.

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    I am the substitute. For no one is at an end,

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    the way I am. For what is left to me of

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    what I was here? That is just it, that I am dying.

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    Did she not tell you, when she charged you with it,

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    that the bed that waits in there

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    belongs to the underworld? I have taken my leave.

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    Farewell upon farewell.

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    No dying person takes more of it than I. I went,

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    so that all of it, buried beneath which

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    the one who is now my husband—may decay, dissolve—.

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    Like this, away into myself: for I die for him.

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    And as the wind on the high sea, which veers about,

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    so the god stepped, almost as to a dead woman,

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    and was all at once far from her husband,

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    to whom he, hidden within a small sign,

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    tossed the hundred lives of this earth.

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    He lurched, reeling, toward the two of them

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    and grasped at them as if in a dream. They were already

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    moving toward the entrance, in which the women

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    crowded, tear-stained. But once

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    he saw once more the girl's face, which turned

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    with a smile, bright as a hope,

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    that was almost a promise: grown,

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    to come back out of the deep death

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    to him, the living one—

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    Then abruptly he struck

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    his hands before his face, as he knelt there,

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    so as to see nothing more after that smile.

The particulars

The text
Neue Gedichte, Rainer Maria Rilke. New Poems.
Translation
Public-domain German (Rilke, d. 1926). English translation © 2026 1732 Studios, LLC.
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Digital narration, directed by 1732 Studios.
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Two whoopie pies and a pine. An inside joke.