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Orpheus. Eurydike. Hermes

Orpheus. Eurydice. Hermes

95 lines · 87 notes

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    That was the souls' strange mine.

    DasThatder · pronoun, nominative, neuter, singulardepends on war
    warwassein · auxiliary verb, past, indicative, third-person, singularmain verb of the sentence
    dertheder · determiner, genitive, feminine, pluraldepends on Seelen
    Seelensouls'Seele · noun, genitive, feminine, pluraldepends on Bergwerk
    wunderlichesstrangewunderlich · adjective, nominative, neuter, singulardepends on Bergwerk
    BergwerkmineBergwerk · noun, nominative, neuter, singulardepends on war
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    Like silent veins of silver ore they went

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    as veins through its darkness. Between roots

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    the blood sprang up that goes off to mankind,

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    and heavy as porphyry it looked in the dark.

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    Otherwise there was nothing red.

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    There were rocks

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    and bodiless forests. Bridges over the void

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    and that great, grey, blind pool

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    that hung above its distant bed

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    like rain-sky over a landscape.

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    And between meadows, soft and full of patience,

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    appeared the one path's pale strip

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    laid down like a long bleaching-cloth.

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    And along this one path they came.

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    In front the slender man in the blue cloak,

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    who looked mutely and impatiently ahead.

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    Without chewing, his stride devoured the path

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    in great bites; his hands hung

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    heavy and closed from the fall of the folds

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    and no longer knew of the light lyre,

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    that had grown into the left hand

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    like rose-tendrils into the olive tree's branch.

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    And his senses were as if split in two:

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    while his gaze ran on ahead like a dog,

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    turned back, came, and again and again stood far off

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    and waiting at the next bend,—

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    his hearing stayed behind like a smell.

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    Sometimes it seemed to him as though it reached

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    as far as the walking of those two others,

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    who were to follow this whole ascent.

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    Then again it was only the echo of his own climbing

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    and the wind of his cloak, what was behind him.

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    But he told himself they were coming after all;

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    said it aloud and heard himself fade away.

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    They were coming after all, only it was two of them,

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    who walked dreadfully softly. If he were allowed

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    to turn around just once (were the looking-back

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    not the undoing of this whole work,

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    that is only now being accomplished), he would have to see them,

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    the two quiet ones, who follow him in silence:

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    the god of the journey and of the far message,

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    the travelling-hood above bright eyes,

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    carrying the slender staff before his body

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    and beating wings at his ankles;

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    and given to his left hand: she.

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    The so-beloved, that out of one lyre

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    more lament came than ever from mourning-women;

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    that a world arose out of lament, in which

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    everything was there once more: wood and valley

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    and path and village, field and river and beast;

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    and that around this lament-world, just as

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    as around the other earth, a sun

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    and a starred, silent sky went round,

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    a lament-sky with disfigured stars—:

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    this so-beloved one.

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    But she went at that god's hand,

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    her step hemmed in by long grave-bands,

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    uncertain, gentle, and without impatience.

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    She was within herself as in a high hope

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    and did not think of the man who walked ahead,

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    nor of the path that climbed up into life.

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    She was within herself. And her being-dead

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    filled her like fullness.

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    Like a fruit of sweetness and dark,

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    so was she full of her great death,

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    which was so new that she grasped nothing.

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    She was in a new maidenhood

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    and untouchable; her sex was closed

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    like a young flower toward evening,

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    and her hands were so weaned

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    from wedlock that even the light god's

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    infinitely soft guiding touch

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    wounded her like too much familiarity.

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    She was already no longer that blonde woman

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    who sometimes sounded in the poet's songs,

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    no longer the scent and island of the wide bed

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    and that man's property no longer.

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    She was already loosened like long hair

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    and given away like fallen rain

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    and parcelled out like a hundredfold store.

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    She was already root.

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    And when, suddenly, abruptly,

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    the god stopped her and with pain in his cry

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    spoke the words: He has turned around

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    she grasped nothing and said softly: Who?

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    But far off, dark against the bright exit,

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    stood someone or other, whose face

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    could not be made out. He stood and saw

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    how, on the strip of a meadow-path,

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    with sorrowful gaze the god of the message

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    turned in silence, to follow the figure

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    who was already going back along this same path,

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    her step hemmed in by long grave-bands,

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    uncertain, gentle, and without impatience.

The particulars

The text
Neue Gedichte, Rainer Maria Rilke. New Poems.
Translation
Public-domain German (Rilke, d. 1926). English translation © 2026 1732 Studios, LLC.
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Two whoopie pies and a pine. An inside joke.