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German · New Poems

Der Ölbaumgarten

The Garden of Olives

29 lines · 28 notes

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  1. 1

    He went up under the grey foliage

    ErHeer · pronoun, nominative, masculine, singulardepends on ging
    gingwentgehen · verb, past, indicative, third-person, singularmain verb of the sentence
    hinaufuphinauf · adverbdepends on ging
    unterunderunter · prepositiondepends on ging
    demtheder · determiner, dative, neuter, singulardepends on Laub
    grauengreygrau · adjective, dative, neuter, singulardepends on Laub
    LaubfoliageLaub · noun, dative, neuter, singulardepends on unter
  2. 2

    all grey and dissolved in the olive ground,

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    and laid his forehead, covered in dust,

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    deep into the dustiness of his hot hands.

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    After everything, this. And this was the end.

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    Now I am to go, while I am going blind,

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    and why do You will that I must say

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    that You are, when I myself no longer find You.

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    I no longer find You. Not in me, no.

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    Not in the others. Not in this stone.

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    I no longer find You. I am alone.

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    I am alone with all of mankind's grief,

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    which through You I undertook to ease,

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    You who are not, o nameless shame...

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    Later it was told: an angel came—.

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    Why an angel? Ah, the night came

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    and leafed indifferently through the trees.

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    The disciples stirred in their dreams.

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    Why an angel? Ah, the night came.

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    The night that came was no uncommon one;

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    hundreds like it pass by.

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    There dogs are sleeping, and there stones lie.

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    Ah, a sorrowful one, ah, just any one,

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    that waits until it be morning again.

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    For angels do not come to such prayers as these,

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    and nights do not grow great around such men.

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    Those who lose themselves are let go by everything,

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    and they are given up by their fathers

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    and shut out from the mothers' womb.

The particulars

The text
Neue Gedichte, Rainer Maria Rilke. New Poems.
Translation
Public-domain German (Rilke, d. 1926). English translation © 2026 1732 Studios, LLC.
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Digital narration, directed by 1732 Studios.
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