Max Havelaar 1732 Studios

Dutch · The Novel

Hoofdstuk 6

Chapter 6

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  1. 1

    CHAPTER SIX

    ZESDESIXTHzesde · ordinal numeralmodifies HOOFDSTUK
    HOOFDSTUKCHAPTERhoofdstuk · noun, neuter, singularhead of chapter heading
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    The controller Verbrugge was a good man.

  3. 3

    Seeing him sit there in his blue broadcloth dress-coat, with embroidered oak and orange sprigs on collar and cuffs, it was hard not to recognize in him the type that prevails among the Dutchmen in the Indies — a breed of men, be it said in passing, very different from the Dutchmen in Holland.

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    Sluggish so long as there was nothing to do, and far from the meddlesome fussiness that passes for zeal in Europe, yet diligent wherever work was needed; plain but warm-hearted toward those of his own circle; open-handed, obliging, and hospitable; well-mannered without stiffness; receptive to good impressions; honest and sincere, though without feeling any urge to become a martyr to these qualities — in short, he was a man who, as the saying goes, would be in his right place anywhere, without anyone's ever taking it into his head to name the age after him, which he himself did not in fact desire.

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    He sat in the middle of the pendoppo, at the table that was covered with a white cloth and laden with food.

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    From time to time, somewhat impatiently, he asked — in the words of Bluebeard's wife's sister — of the mandoor-oppasser, that is, the head of the police and the office-servants of the assistant-residency, whether nothing was on its way yet.

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    Now and then he stood up, tried in vain to make his spurs clatter on the stamped clay floor of the pendoppo, lit his cigar for the twentieth time, and, as if disappointed, sat back down again.

  8. 8

    He said little. And yet he could have spoken, for he was not alone.

  9. 9

    By this I do not mean precisely that he was accompanied by the twenty or thirty Javanese — servants, mantries, and oppassers — who sat crouched on the ground inside and outside the pendoppo, nor by the many who kept running in and out, nor by the great number of natives of various rank who held the horses out there or rode about on horseback — no, the Regent of Lebak himself, Radhen Adhipatti Karta Natta Nagara, sat facing him.

  10. 10

    Waiting is always tedious. A quarter of an hour drags on like an hour, an hour like half a day, and so on.

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    Verbrugge might well have been a little more talkative.

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    The Regent of Lebak was a cultivated old man who could speak about a great many things with sense and judgment. One had only to look at him to be convinced that the majority of the Europeans who came into contact with him had more to learn from him than he from them.

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    His lively dark eyes belied, by their fire, the weariness of the features of his face and the grayness of his hair.

  14. 14

    What he said had usually been long considered — a peculiarity, by the way, that is general among cultivated Orientals — and when one was in conversation with him, one felt that one had to regard his words as letters of which he kept the draft in his files, so as to refer back to them if need be.

  15. 15

    Now this may seem disagreeable to anyone unaccustomed to dealing with Javanese grandees; yet it is not hard to avoid all subjects of conversation that might give offense, all the more so because they, for their part, will never abruptly steer the course of the exchange in another direction, since by Eastern notions this would be at odds with good manners.

  16. 16

    Whoever, then, has reason to avoid broaching a particular point need only speak of trivial matters, and he can be assured that a Javanese chief will not, by some unwished-for turn in the conversation, lead him onto ground he would rather not tread.

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    On the best manner of dealing with these chiefs, opinions, moreover, differ.

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    It seems to me that plain sincerity, without any striving after diplomatic caution, deserves the preference.

  19. 19

    However that may be, Verbrugge began with a banal remark about the weather and the rain.

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    "Yes, mijnheer the controller, it is the west monsoon."

  21. 21

    Now this Verbrugge knew well enough: it was January.

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    But what he had said about the rain, the Regent knew too.

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    To this there followed once again a certain silence.

  24. 24

    With a barely perceptible movement of his head, the Regent beckoned one of the servants who sat crouched at the entrance of the pendoppo. A small boy, charmingly attired in a blue velvet jacket, white trousers, with a golden waistband that held his costly sarong fast about his loins, and on his head the becoming kain kapala, from beneath which his black eyes peeped out so mischievously, crept crouching up to the Regent's feet, set down the golden box that held the tobacco, the lime, the sirie, the pinang, and the gambier, made the slamat by raising both joined hands to his deeply bowed forehead, and thereupon offered his master the precious box.

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    "The road will be difficult after so much rain," said the Regent, as if to account for the long wait, while he spread lime on a betel leaf.

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    "In the Pandeglang district the road is not so bad," answered Verbrugge, who — if at least he meant to broach nothing jarring — gave this reply rather thoughtlessly. For he ought to have considered that a Regent of Lebak does not gladly hear the roads of Pandeglang praised, even if they really are better than those in the Lebak district.

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    The Adhipatti did not commit the fault of too quick a reply.

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    The little fellow had already crept backwards, still crouching, to the entrance of the pendoppo, where he took his place among his comrades — the Regent had already stained his lips and few teeth brownish-red with the juice of his sirie, before he said:

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    "Yes, there are many people in Pandeglang."

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    To anyone who knew the Regent and the controller, to anyone for whom the state of Lebak was no secret, it might plainly have appeared that the conversation had already become a contest.

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    An allusion, namely, to the better condition of the roads in a neighboring division seemed to be the sequel to fruitless efforts to have such better roads laid out in Lebak too, or to have the existing ones better maintained.

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    Yet in this the Regent was right: that Pandeglang was more densely populated, especially in proportion to its far smaller area, and that there, accordingly, the labor on the high roads, done by combined forces, came easier than in the Lebak district — a division that, over hundreds of square miles of territory, counted only seventy thousand inhabitants.

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    "That is true," said Verbrugge, "we have few people here, but ..."

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    The Adhipatti looked at him, as though awaiting an attack.

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    He knew that after that "but" something might follow that would be unpleasant to hear for him, who had been Regent of Lebak for thirty years.

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    It seemed that at this moment Verbrugge had no wish to carry on the contest.

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    At any rate he broke off the conversation, and asked the mandoor-oppasser again whether he saw nothing coming.

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    "I still see nothing from the direction of Pandeglang, mijnheer the controller, but over yonder, on the other side, someone is riding on horseback ... it is the toewan commandant."

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    "Why, of course, Dongso," said Verbrugge, staring outside, "that is the commandant! He is hunting in these parts, and went out early this morning."

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    Hey, Duclari ... Duclari!

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    "He hears you already, mijnheer, he is coming this way."

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    His boy is riding behind him, with a kidang slung behind him across the horse.

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    "Pegang koedahnja toewan kommendaan," Verbrugge ordered one of the servants sitting outside. "Bonjour, Duclari!

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    Are you wet? What did you shoot?

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    Come in!"

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    A vigorous man of some thirty years, of soldierly bearing, though there was not a trace of uniform about him, stepped into the pendoppo. It was First Lieutenant Duclari, commandant of the small garrison at Rangkas-Betoeng.

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    He and Verbrugge were friends, and their intimacy was the greater since Duclari had for some time been living in Verbrugge's house while awaiting the completion of a new fort.

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    He shook the latter's hand, greeted the Regent politely, and sat down with the question: "Well, what have you got here, then?"

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    "Will you have tea, Duclari?"

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    "No indeed, I'm warm enough as it is!

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    Have you any coconut water? That's more refreshing."

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    "I won't have any given to you.

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    When one is warm, I hold coconut water to be very harmful. It makes you stiff and gouty.

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    Just look at the coolies who carry heavy loads over the mountains: they keep themselves nimble and supple by drinking hot water, or koppi dahoen. But ginger tea is better still ..."

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    "What? Koppi dahoen, tea made from coffee leaves?

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    I've never seen that before."

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    "That's because you haven't served in Sumatra. There it's the custom."

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    "Then just let me have tea ... but not made of coffee leaves, and not of ginger either. Yes, you've been to Sumatra ... and the new assistant-resident too, haven't you?"

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    This conversation was carried on in Dutch, a language the Regent did not understand.

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    Whether Duclari felt that there was something impolite in thereby shutting the Regent out of the talk, or whether he had some other purpose by it, all at once he turned to the Regent and went on in Malay:

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    "Does mijnheer the Adhipatti know that mijnheer the controller is acquainted with the new assistant-resident?"

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    "Why, no, I didn't say that, I've never seen him. He served some years before me in Sumatra.

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    I only told you that I'd heard a great deal said about him there, nothing more!" — "Well, that comes to the same thing.

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    One needn't see a person in order to know him. What does mijnheer the Adhipatti think of this?"

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    The Adhipatti happened just then to need to call a servant.

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    Some time therefore went by before he could say: "that he agreed with the commandant, but that it was nevertheless often necessary to see a person before one could judge him."

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    "On the whole this is perhaps true," Duclari now went on in Dutch — whether because this language was more familiar to him and he thought he had done enough for courtesy's sake, or because he wished to be understood by Verbrugge alone — "this may be true in general, but as for Havelaar, one truly needs no personal acquaintance ... he is a madman!"

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    "That I didn't say, Duclari!"

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    "No, you didn't say it, but I say it after all you've told me about him.

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    I call a man who jumps into the water to save a dog from the sharks a madman."

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    "Well, yes, it's certainly not sensible.

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    But ..." — "And, look here, that little verse against General Vandamme ... it was out of place!"

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    "It was witty ..."

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    "Granted, for all I care! But a young man oughtn't to be witty at a general's expense."

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    "You must bear in mind that he was still very young ... it's fourteen years ago. He was then only twenty-two years old."

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    "And then the turkey he stole!"

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    "He did that to vex the general."

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    "Exactly!

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    A young man oughtn't to vex a general who, on top of that, as civil governor, was his superior. That other verse I find rather good, but ... that everlasting dueling!"

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    "He usually did it on another's behalf. He always took the part of the weaker."

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    "Well, let everyone duel for himself, if duel he absolutely must!"

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    "For my own part, I believe a duel is seldom necessary. Where it was unavoidable, I too would accept a challenge, and in certain cases issue one myself, but to make a daily business of it ... no thank you!

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    It's to be hoped that he has changed on this point."

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    "Why, surely, there's no doubt of it!

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    He is so much older now, married besides for a long while, and an assistant-resident.

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    Moreover, I've always heard that his heart was good, and that he had a warm feeling for justice."

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    "Well, that will stand him in good stead in Lebak! Something has just come to my notice here that ... would the Regent understand us?"

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    "I don't think so. But show me something out of your game-bag, then he'll think we're talking about that."

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    Duclari took up his game-bag, drew out a couple of wood pigeons, and, fingering the birds as though he were speaking of the hunt, told Verbrugge that he had just now been chased across the field by a Javanese who had asked him whether he could not do something to relieve the oppression under which the population groaned. — "And," he went on, "this is very telling, Verbrugge!

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    Not that I wonder at the matter itself. I've been long enough in the Bantam district to know what goes on here, but that the lowly Javanese, usually so wary and reticent where his chiefs are concerned, should ask such a thing of someone who has nothing to do with it — that puzzles me!"

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    "And what did you answer, Duclari?"

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    "Why, that it was no business of mine! That he should go to you, or to the new assistant-resident, once he had arrived at Rangkas-Betoeng, and air his complaints there."

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    "Ienie apa toewan-toewan datang!" the oppasser Dongso suddenly cried. "I see a mantrie waving with his toedoeng."

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    They all stood up.

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    Duclari, who did not wish, by his presence in the pendoppo, to give the appearance that he too had come to the frontier to welcome the assistant-resident — who was indeed his superior, but not his chief, and was a madman besides — mounted his horse and rode off, followed by his servant.

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    The Adhipatti and Verbrugge stationed themselves at the entrance of the pendoppo, and saw a traveling carriage drawn by four horses approach, which presently, fairly bemired, came to a halt by the little bamboo building.

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    It would have been hard to guess what all might be inside that carriage, before Dongso, helped by the runners and a number of servants belonging to the Regent's suite, had loosened all the straps and fastenings that held the vehicle shut in with a black leather casing — a thing recalling the discretion with which, in earlier years, lions and tigers came into the town, back when zoological gardens were still traveling menageries.

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    Now, lions or tigers there were none in the carriage. Everything had merely been so carefully closed up because it was the west monsoon, and one had therefore to reckon on rain.

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    Now, getting out of a traveling carriage in which one has long been jolted along the road is not so easy as someone who has never, or seldom, traveled would imagine.

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    Much as with the poor Saurians of the primeval world, which by long waiting at last become an integral part of the clay into which they had not originally come with any plan of staying — so too, with travelers who have sat too long in a traveling carriage, somewhat tightly packed together and in a constrained posture, something takes place that I propose to you we call assimilation.

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    In the end one no longer knows exactly where the carriage's leather cushion leaves off and where the I-ness begins; indeed, the notion is not strange to me that in such a carriage one might have a toothache or a cramp that one takes for a moth in the upholstery, or the other way round.

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    There are few circumstances in the material world that do not give the thinking man occasion to make observations in the realm of the intellect, and so I have often asked myself whether many of the errors that have, among us, the force of law, many of the "crookednesses" that we hold to be "straight," do not arise from this: that one has sat too long in the same traveling carriage with the same company.

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    The leg you had to stick out there to the left, between the hatbox and the little basket of cherries ... the knee you held pressed against the door, so as not to make the lady opposite you think you had designs upon crinoline or virtue ... the corn-ridden foot that was so afraid of the heels of the commercial traveler beside you ... the neck you had to twist so long to the left, because it was dripping on the right ... look, all these in the end become necks, and knees, and feet that take on something twisted.

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    I hold it good, from time to time, to change carriages, seat, and fellow-travelers.

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    Then one can turn one's neck a different way, one shifts one's knee now and then, and perhaps there sits beside one, for once, a young lady in dancing shoes, or a little boy whose legs don't reach the floor.

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    One then has a better chance of seeing straight and walking straight, as soon as one gets firm ground under one's feet again.

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    Whether in the carriage that now halted before the pendoppo there was also something that resisted the "resolution of the continuity" I do not know, but certain it is that a long time passed before anything came into view.

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    There seemed to be a contest of courtesy going on. One caught the words: "if you please, mevrouw!" and "resident!" However that may be, at last a gentleman stepped out who, in bearing and appearance, did indeed show something that called to mind the Saurians I spoke of just now.

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    Since we shall see him again later, I will tell you straight away that his immobility was not to be ascribed solely to the assimilation with the traveling carriage, for even when there was no vehicle for miles around, he displayed a calm, a slowness, and a caution that would make many a Saurian jealous, and that in the eyes of many are the marks of dignity, sedateness, and wisdom.

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    He was, like most Europeans in the Indies, very pale, which in those regions, however, is by no means taken as a sign of poorer health, and he had fine features that bespoke a measure of intellectual cultivation.

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    Only there was something cold in his gaze, something that made you think of a table of logarithms, and although his appearance on the whole was not disagreeable or repellent, one could not help suspecting that his rather large, lean nose was bored on that face, because so little happened upon it.

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    With courtesy he offered his hand to a lady, to help her in alighting, and after she had taken from a gentleman still sitting in the carriage a child — a small fair-haired boy of about three — they entered the pendoppo. Thereupon that gentleman himself followed, and to anyone familiar with Java it would have struck the eye as a peculiarity that he waited at the door to make the alighting easy for an old Javanese baboe.

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    Three servants had freed themselves from the oilcloth chest that was stuck on behind the carriage like a young oyster on its mother's back.

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    The gentleman who had stepped out first had offered his hand to the Regent and the controller Verbrugge, who took it with respect, and in their whole bearing it could be perceived that they felt themselves to be in the presence of a personage of weight.

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    It was the resident of Bantam, the great region of which Lebak is a division, a regency, or, as one officially says, an assistant-residency.

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    In reading works of fiction, I have more than once been vexed at the writers' scant respect for the taste of the public, and this was especially the case where they showed they meant to produce something that was supposed to pass for droll or burlesque — to say nothing of humor, a quality that is almost always most lamentably confused with the comic. One brings on a character who does not understand the language or speaks it badly, one makes a Frenchman say: "ka kauw na de krote krak" or "krietje kooit keen kare kroente kraak wek." For want of a Frenchman, one takes someone who stammers, or one "creates" a character who makes his hobbyhorse out of a couple of recurring catchwords.

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    I have seen a thoroughly silly vaudeville "succeed" because a character appeared in it who kept saying: "my name is Meyer." To me such pleasantries seem rather cheap, and, to tell the truth, I am annoyed with you if you find such a thing funny.

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    But now I have something of the same kind to put before you myself.

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    From time to time I must bring someone on stage — I shall do it as little as possible — who in fact had a manner of speaking that makes me fear being suspected of a botched attempt to make you laugh, and for this reason I must assure you expressly that it is not my fault if the most dignified resident of Bantam, of whom there is question here, displayed something so very peculiar in his way of speaking that I find it hard to reproduce it, without bringing upon myself the appearance of seeking the effect of wit in a tic.

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    He spoke, that is, in a tone as if behind each word there stood a full stop, or even a long rest, and I cannot compare the spaces between his words better than to the silence that follows the "amen" after a long prayer in church, which, as everyone knows, is a signal that one has time to shift in one's seat, cough, or blow one's nose.

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    What he said was usually well considered, and had he been able to break himself of those ill-timed pauses, his sentences would, from a rhetorical point of view at least, have mostly looked sound. But all that crumbling apart, that jolting and lurching, made him tiresome to listen to.

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    And so one was forever tripping over it. For usually, when one had begun to answer in the kindly belief that the sentence was finished, and that he had left the filling-in of what was missing to the shrewdness of his listener, the still-missing words came straggling up behind like the stragglers of a beaten army, and made you feel that you had cut him off in mid-speech, which is always unpleasant.

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    The public of the chief town, Serang, in so far as they were not in the service of the government—a relation that lends most people a certain wariness—called his manner of speaking "slimy." I do not find the word very tasteful, yet I must admit that it expressed the chief quality of the Resident's eloquence rather precisely.

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    Of Max Havelaar and his wife—for these were the two persons who, after the Resident, had stepped from the carriage with their child and the baboe—I have as yet said nothing, and perhaps it would suffice to leave the sketching of their appearance and character to the course of events and to the reader's own imagination.

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    Since, however, I am now once embarked on describing, I will tell you that Mevrouw Havelaar was not beautiful, that she nonetheless had something very winning in her glance and her speech, and that by the easy unconstraint of her manners she gave the unmistakable sign that she had seen the world and belonged at home in the higher classes of society.

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    She had nothing of that stiff, uncomfortable air of bourgeois propriety which, in order to pass for "distinguished," thinks it must torment itself and others with awkward constraint, and so she set little store either by the outward trappings that seem to hold value for certain other women.

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    In her dress, too, she was a model of simplicity.

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    A white baadjoe of muslin, with a blue cordelière—I believe that in Europe such a garment would be called a peignoir—was her traveling-dress.

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    About her neck she wore a thin silk cord, from which hung two small lockets that you would not, however, have caught sight of, since they lay hidden in the folds at her breast.

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    For the rest, the hair à la chinoise, and a little wreath of melatti in the kondeh ... and there you have her whole toilette.

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    I said that she was not beautiful, and yet I would not willingly have you take her for the opposite.

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    I hope that you will find her beautiful as soon as I have occasion to present her to you, glowing with indignation at what she called the "misjudgment of genius" whenever her adored Max was at stake, or when some idea seized her that was bound up with the welfare of her child.

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    It has already been said too often that the face is the mirror of the soul, for one still to set any value on the portrait-worth of a motionless countenance that has nothing to mirror because no soul shines through it.

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    Well then, she had a beautiful soul, and one would have had to be blind not to hold her face, too, for beautiful when that soul lay legible upon it.

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    Havelaar was a man of thirty-five.

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    He was slender, and quick in his movements. Apart from his short, mobile upper lip and his large, pale-blue eyes—which, when he was in a calm mood, had something dreamy about them, but shot fire when some great idea took hold of him—there was nothing particular to remark in his appearance.

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    His fair hair hung straight along his temples, and I understand very well that few, seeing him for the first time, would arrive at the notion that they had before them someone who, as to both head and heart, belonged among the rarities.

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    He was a "vessel full of contradiction." Sharp as a lancet and soft as a girl, he himself always felt first the wound that his bitter words had dealt, and he suffered under it more than the one he had wounded.

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    He was quick of grasp, seized at once on the highest, the most intricate matter, liked to play with the solving of difficult questions, would spare for it any trouble, any study, any exertion ... and yet often failed to understand the simplest thing that a child could have explained to him.

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    Full of love for truth and justice, he many a time neglected his simplest, nearest-lying obligations in order to set right some wrong that lay higher or farther off or deeper, and that, by the presumably greater effort of the struggle, drew him on the more.

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    He was chivalrous and brave, but, like that other Don Quixote, he often squandered his valor upon a windmill.

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    He glowed with an insatiable ambition that made all ordinary distinction in social life seem to him a trifle, and yet he placed his greatest happiness in a quiet, domestic, forgotten life.

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    A poet in the highest sense of the word, he dreamed himself solar systems out of a spark, peopled them with creatures of his own making, felt himself lord of a world he had himself called into being ... and yet could, the very next moment, carry on without the least dreaminess a conversation about the price of rice, the rules of grammar, or the economic advantages of an Egyptian egg-hatchery.

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    No branch of knowledge was wholly foreign to him. He divined what he did not know, and he possessed in high measure the gift of turning the little that he did know—everyone knows little, and he, perhaps knowing more than some others, was no exception to this rule—of turning that little to use in a way that multiplied the measure of his learning.

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    He was punctual and orderly, and besides that uncommonly patient, yet precisely because punctuality, order, and patience came hard to him, since his mind had something wild about it. He was slow and circumspect in judging matters, although it did not seem so to those who heard him deliver his conclusions so hastily.

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    His impressions were too vivid for one to dare hold them lasting, and yet he often proved that they were lasting.

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    All that was great and lofty drew him on, and at the same time he was as simple and naïve as a child.

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    He was honest, above all where honesty passed over into magnanimity, and would leave hundreds he owed unpaid because he had given thousands away. He was witty and entertaining when he felt that his wit was understood, but otherwise gruff and withdrawn.

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    Warm toward his friends, he made—too quickly, sometimes—a friend of anyone who suffered. He was responsive to love and devotion ... true to his given word ... weak in trifles, but steadfast to the point of stubbornness wherever it seemed to him worth the trouble to show character ... humble and obliging toward those who acknowledged his mental superiority, yet troublesome when one tried to set oneself against it ... frank out of pride, and by fits secretive where he feared that his candor would be taken for foolishness ... as susceptible to sensual as to intellectual pleasure ... bashful and ill-spoken where he supposed himself not understood, but eloquent when he felt that his words fell on willing ground ... sluggish when he was not spurred by some stimulus springing from his own soul, but eager, fiery, and pressing where this was the case ... furthermore, friendly, refined in his manners, and irreproachable in conduct: there, more or less, you have Havelaar!

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    I say: more or less. For if all definitions are already difficult, this holds above all for the description of a person who deviates very far from the everyday mold.

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    It is no doubt for this reason, too, that novelists usually make their heroes into devils or angels.

  152. 152

    Black or white lets itself be painted easily, but harder it is to render exactly the gradations that lie between them, when one is bound to the truth and so may color neither too dark nor too light.

  153. 153

    I feel that the sketch I attempted to give of Havelaar is in the highest degree imperfect.

  154. 154

    The materials that lie before me are of so divergent a kind that, by sheer excess of riches, they hamper me in my judgment, and so I shall perhaps return to them by way of supplement, in the course of unfolding the events I wish to relate.

  155. 155

    This is certain: he was an unusual man, and well worth the trouble of studying.

  156. 156

    I notice already that I have failed to give, as one of his chief traits, that he grasped the ludicrous and the serious side of things with the same speed and at the same instant—a quality from which his manner of speaking, without his knowing it himself, borrowed a kind of humor that kept his listeners forever in doubt whether they were moved by the deep feeling that reigned in his words, or whether they ought to laugh at the drollery that all at once broke off the seriousness of it.

  157. 157

    It was remarkable that his appearance, and even his emotions, bore so few traces of the life he had lived through. To boast of experience has become a ridiculous commonplace.

  158. 158

    There are people who for fifty or sixty years have drifted along with the little stream they claim to be swimming in, and who of all that time could relate little else than that they have moved from the A-canal to the B-street. Nothing is more common than to hear precisely those people pride themselves on experience who came by their gray hairs so easily.

  159. 159

    Others again think they may ground their claims to experience upon vicissitudes actually undergone, though nothing makes it appear that they were touched by those changes in their inner life.

  160. 160

    I can well imagine that being present at, or even undergoing, weighty events has little or no influence upon a certain sort of temperament not equipped with the capacity to catch impressions and to work them through.

  161. 161

    Whoever doubts this, let him ask himself whether one could attribute experience to all the inhabitants of France who were forty or fifty years old in 1815.

  162. 162

    And yet they were all people who had not only seen performed the momentous drama that began in 1789, but who had even, in a more or less weighty role, themselves played a part in that drama.

  163. 163

    And, conversely, how many undergo a whole series of emotions without the outward circumstances seeming to give any occasion for it.

  164. 164

    Think of the Crusoe novels, of Silvio Pellico's imprisonment, of Saintine's exquisite Picciola, of the struggle in the breast of an "old maid" who all her life long cherished one love without ever betraying by a single word what was passing in her heart, of the emotions of the philanthropist who, without being outwardly caught up in the course of events, takes a fervent interest in the welfare of fellow citizen or fellow man. Picture to yourself how he hopes and fears by turns, how he watches every change, how he is roused by some fine idea and glows with indignation when he sees it shoved aside and trampled by the many who, for a moment at least, were stronger than fine ideas.

  165. 165

    Think of the philosopher who from his cell strives to teach the people what truth is, when he must perceive that his voice is shouted down by pietistic hypocrisy or by gain-seeking quacks.

  166. 166

    Picture Socrates to yourself—not as he drains the cup of poison, for I mean here the experience of the heart, and not the kind that is brought about directly by outward circumstances—how bitterly grieved his soul must have been when he, who sought the good and the true, heard himself called "a corrupter of youth and a despiser of the gods."

  167. 167

    Or, better still: think of Jesus, where he gazes so mournfully upon Jerusalem and laments "that it would not."

  168. 168

    Such a cry of pain—before poison-cup or cross—does not flow from an unscathed heart.

  169. 169

    There must have been suffering, much suffering—there is experience!

  170. 170

    This tirade has escaped me ... it stands there now, once for all, and let it stand.

  171. 171

    Havelaar had experienced much.

  172. 172

    Do you want something that outweighs the removal from the A-canal? He had suffered shipwreck, more than once.

  173. 173

    He had fire, riot, assassination, war, duels, luxury, poverty, hunger, cholera, love, and "loves" entered in his journal. He had visited many lands and had dealings with people of every sort of race and rank, customs, prejudices, religion, and color of skin.

  174. 174

    As far, then, as life's circumstances go, he could have experienced much. And that he really had experienced much, that he had not passed through life without catching the impressions it offered him so abundantly, of that let the quickness of his mind be our surety, and the receptiveness of his heart.

  175. 175

    Now this awakened wonder in all who knew, or could guess, how much he had witnessed and suffered—that so little of it was to be read upon his face.

  176. 176

    True, his features did speak of something like weariness, yet this made one think rather of a precocious youth than of approaching age. And approaching age it must nonetheless have been, for in the Indies a man of thirty-five is no longer young.

  177. 177

    His emotions, too, I said, had remained young.

  178. 178

    He could play with a child, and like a child, and more than once he complained that "little Max" was still too young to fly kites, because he, "big Max," was so fond of it.

  179. 179

    With boys he played "leapfrog," and he loved to draw a pattern for the girls' embroidery. He would even take the needle from their hands more than once and amuse himself with that work, though he often said that they could do something better than that "mechanical counting of stitches." Among young people of eighteen he was a young student, who liked to sing his Patriam canimus, or Gaudeamus igitur ... indeed, I am not entirely certain that, only very recently, when he was at Amsterdam on leave, he did not tear down a signboard that displeased him because there was painted on it a negro, shackled at the feet of a European with a long pipe in his mouth, and underneath which there naturally stood to be read: the smoking young merchant.

  180. 180

    The baboe whom he had helped from the carriage resembled all baboes in the Indies, when they are old.

  181. 181

    If you know this sort of servant, I need not tell you how she looked. And if you do not know them, I cannot tell you.

  182. 182

    This alone set her apart from other nursemaids in the Indies, that she had very little to do. For Mevrouw Havelaar was a model of care for her child, and whatever there was to be done for or with little Max, she did herself, to the great wonder of many other ladies, who did not approve of one's making oneself the "slave of one's children."

The particulars

The text
Max Havelaar, Multatuli. The Novel.
Translation
Public-domain Dutch (Multatuli, d. 1887; published 1860). English translation © 2026 1732 Studios, LLC.
Reading aloud
Digital narration, directed by 1732 Studios.
Words
Every word of the text, by letter.
Data
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Two whoopie pies and a pine. An inside joke.