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Russian · Book X — The Boys

IV. Жучка

The Lost Dog

155 sentences · 322 notes

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  1. 1

    Kolya leaned against the fence with an important air on his face and settled in to wait for Alyosha to appear.

    КоляKolyaКоля · proper noun, nominative, masculine, singularsubject of прислонился
    сwithс · prepositionpreposition marking миной
    важноюan importantважный · adjective, instrumental, feminine, singularmodifies миной
    минойairмина · noun, instrumental, feminine, singularoblique complement of прислонился
    вonв · prepositionpreposition marking лице
    лицеhis faceлицо · noun, locative, neuter, singularmodifies миной
    прислонилсяleanedприслониться · verb, past, indicative, middle, singular, perfectivemain verb of the sentence
    кagainstк · prepositionpreposition marking забору
    заборуthe fenceзабор · noun, dative, masculine, singularoblique complement of прислонился
    иandи · conjunctionlinks the coordination
    сталsettled inстать · verb, past, indicative, active, singular, perfectivecoordinated with прислонился
    ожидатьto wait forожидать · verb, active, infinitive, imperfectivecomplement of стал
    появленияthe appearanceпоявление · noun, genitive, neuter, singulardirect object of ожидать
    Алешиof AlyoshaАлёша · proper noun, genitive, masculine, singularmodifies появления
  2. 2

    Yes, he had long wanted to meet him.

  3. 3

    He had heard a great deal about him from the other boys, but until now he had always put on an outwardly scornful, indifferent look whenever they spoke to him about him, and had even "criticized" Alyosha as he listened to what was reported of him.

  4. 4

    But privately he very, very much wanted to make his acquaintance: there was something likable and alluring in all the accounts of Alyosha he had heard.

  5. 5

    And so the present moment was an important one; first of all, he must not lose face, must show his independence: "Otherwise he'll think I'm thirteen and take me for the same sort of little boy as these others.

  6. 6

    And what are these boys to me?

  7. 7

    I'll ask him once we've gotten acquainted.

  8. 8

    It's a bad business, though, that I'm of such a small stature.

  9. 9

    Tuzikov is younger than I am, yet half a head taller.

  10. 10

    My face, however, is clever; I'm not good-looking, I know my face is hideous, but it's a clever face.

  11. 11

    I mustn't say too much, either, or he'll be right into embraces and he'll think… Ugh, what a vile thing it would be if he thought that!.."

  12. 12

    So Kolya fretted, straining with all his might to assume the most independent air possible.

  13. 13

    Above all, it was his small stature that tormented him, not so much his "hideous" face as his height.

  14. 14

    At home, in a corner on the wall, there had been a pencil mark made since the year before, with which he had marked his height, and ever since, every two months he would walk up again with a thrill of anxiety to measure himself: how much had he managed to grow?

  15. 15

    But alas! he was growing terribly little, and this drove him at times to sheer despair.

  16. 16

    As for his face, it was not at all "hideous"; on the contrary, it was rather pleasant, fair, a little pale, sprinkled with freckles.

  17. 17

    His small gray eyes were lively; they looked out boldly and often kindled with feeling.

  18. 18

    His cheekbones were somewhat broad, his lips small, not very full but very red; his nose was small and decidedly turned up: "Absolutely snub-nosed, absolutely snub-nosed!" Kolya would mutter to himself whenever he looked in the mirror, and he always walked away from it in indignation.

  19. 19

    "And is the face even clever, after all?" he sometimes wondered, doubting even that.

  20. 20

    We must not suppose, however, that concern over his face and his height swallowed up his whole soul.

  21. 21

    On the contrary, however galling those minutes before the mirror were, he quickly forgot about them, and for a long while at that, "giving himself wholly over to ideas and to real life," as he himself defined his activity.

  22. 22

    Alyosha appeared soon and came up to Kolya in a hurry; while still several steps off, Kolya could make out that Alyosha's face was somehow utterly joyful.

  23. 23

    "Can he really be so glad to see me?" Kolya thought with pleasure.

  24. 24

    Here we may note in passing that Alyosha had changed greatly since we left him: he had cast off the cassock and now wore a beautifully tailored frock coat, a soft round hat, and his hair cut short.

  25. 25

    All this had improved his looks considerably, and he seemed quite a handsome fellow.

  26. 26

    His pleasant face always wore a cheerful look, but it was a cheerfulness of a quiet and calm kind.

  27. 27

    To Kolya's surprise, Alyosha had come out to him just as he had been sitting indoors, without a coat — plainly he had been in a hurry.

  28. 28

    He held his hand straight out to Kolya.

  29. 29

    — So here you are at last; how we have all been waiting for you.

  30. 30

    — There were reasons, which you'll learn about presently.

  31. 31

    In any case, I'm glad to make your acquaintance.

  32. 32

    I've long awaited the chance, and I've heard a great deal, — muttered Kolya, a little out of breath.

  33. 33

    — Why, the two of us would have gotten acquainted anyway; I've heard a great deal about you myself, but it's here, in coming to this place, that you've been slow.

  34. 34

    — Tell me, how are things here?

  35. 35

    — Ilusha is very bad; he is sure to die.

  36. 36

    — You don't say! Admit it, medicine is a vile thing, Karamazov, — Kolya exclaimed heatedly.

  37. 37

    — Ilusha has spoken of you often, very often, even, you know, in his sleep, in his delirium.

  38. 38

    It's plain that you were once very, very dear to him — before… before that business… with the penknife.

  39. 39

    There's another reason as well… Tell me, is that your dog?

  40. 40

    — Mine. Perezvon.

  41. 41

    — And not Zhutchka? — Alyosha looked Kolya ruefully in the eyes. — So she's lost for good?

  42. 42

    — I know you'd all of you like it to be Zhutchka; I've heard all about it, sir, — Kolya smirked enigmatically. — Listen, Karamazov, I'll explain the whole affair to you; that's chiefly why I came, that's what I called you out for, to explain the whole episode to you beforehand, before we go in, — he began animatedly. — You see, Karamazov, in the spring Ilusha entered the preparatory class.

  43. 43

    Well, you know our preparatory class: little boys, mere children.

  44. 44

    They began baiting Ilusha at once.

  45. 45

    I'm two classes higher up and, naturally, I watch from a distance, from the sidelines.

  46. 46

    I see: a little boy, frail, but he won't submit, he even fights them, proud, his little eyes blazing.

  47. 47

    I love that sort.

  48. 48

    And they went at him all the harder.

  49. 49

    The main thing was that his clothes were wretched then, his little trousers riding up, and his boots begging for gruel.

  50. 50

    They went at him for that too. They humiliated him.

  51. 51

    No, that I won't have; I took his side at once and gave them a thorough drubbing.

  52. 52

    You see, I beat them and yet they adore me — do you know that, Karamazov? — Kolya boasted expansively. — And generally I'm fond of children.

  53. 53

    Even now I've two nestlings at home hanging round my neck; this very day they held me up.

  54. 54

    And so they stopped beating Ilusha, and I took him under my protection.

  55. 55

    I see he's a proud boy — I tell you he's proud — but he ended by giving himself over to me slavishly, carrying out my slightest commands, listening to me as to a god, trying to imitate me.

  56. 56

    In the breaks between classes he'd come straight to me, and the two of us would go about together.

  57. 57

    On Sundays too.

  58. 58

    At our school they laugh when an older boy gets on such a footing with a little one, but that's a prejudice.

  59. 59

    Such is my fancy, and there's an end of it — isn't that right?

  60. 60

    I teach him, I develop him — why, tell me, should I not develop him, if I like him?

  61. 61

    After all, you yourself, Karamazov, have taken up with all these nestlings, which means you want to act upon the rising generation, to develop them, to be of use, don't you?

  62. 62

    And I confess, this trait in your character, which I learned of by hearsay, interested me more than anything else.

  63. 63

    But to the point: I notice that some sort of sensitivity, some sentimentality, is developing in the boy, and I, you know, have been from my very birth a resolute enemy of all calf-like tendernesses.

  64. 64

    And on top of that, the contradictions: proud, yet devoted to me slavishly — devoted slavishly, and then suddenly his little eyes flash and he won't even agree with me, he argues, he climbs the walls.

  65. 65

    I would sometimes float various ideas: it isn't that he disagreed with the ideas, but I simply saw that he was personally rebelling against me, because I answered his tenderness with coolness.

  66. 66

    And so, in order to toughen him up, the tenderer he was, the cooler I'd grow still — I did it on purpose; such is my conviction.

  67. 67

    I had it in mind to drill his character, to even him out, to make a man of him… and so on… you, of course, take my meaning from half a word.

  68. 68

    Suddenly I notice he's troubled for a day, two days, three, grieving, but no longer over the tendernesses — over something else, something stronger, higher.

  69. 69

    I think to myself: what tragedy is this?

  70. 70

    I press him and learn the whole thing: somehow he had fallen in with Smerdyakov, the lackey of your late father (who was still alive then), and that fellow had taught him, the little fool, a stupid trick — or rather a brutal trick, a vile trick — to take a piece of bread, the soft inside, stick a pin in it, and toss it to some stray yard-dog, the kind that, half-starved, gulps down a morsel without chewing, and then to watch what comes of it.

  71. 71

    So they fixed up such a piece and threw it to that very shaggy Zhutchka, the one there's all this story about now — a yard-dog from a yard where they simply never fed her, so that she'd be barking at the wind all day long.

  72. 72

    (Are you fond of that stupid barking, Karamazov? I can't bear it.)

  73. 73

    She just pounced, swallowed it down, and gave a yelp, spun round and bolted, running and yelping the whole way, and vanished — so Ilusha himself described it to me.

  74. 74

    He confesses it to me, weeping and weeping all the while, hugging me, shuddering: "She runs and yelps, runs and yelps" — that's all he keeps repeating; the sight had struck him to the core.

  75. 75

    Well, I see it's the pangs of conscience. I took it seriously.

  76. 76

    Above all, I wanted to school him for his earlier behavior too, so that, I confess, I was a bit cunning here; I pretended to be in such indignation as perhaps I didn't feel at all: "You," I say, "have done a base thing, you're a scoundrel; I won't tell on you, of course, but for the time being I'm breaking off relations with you.

  77. 77

    I'll think this matter over and let you know through Smurov (the very boy who has come with me now and who has always been devoted to me) whether I'll go on with you in future, or cast you off forever as a scoundrel."

  78. 78

    This struck him terribly.

  79. 79

    I confess that even then I felt I had perhaps come down too hard, but what's to be done — such was my thinking at the time.

  80. 80

    A day later I send Smurov to him and have him pass on the word that I'm "not speaking" to him anymore — that's what we call it when two comrades break off relations between themselves.

  81. 81

    The secret was that I meant to keep him on this ban for only a few days, and then, seeing his repentance, to hold out my hand to him again.

  82. 82

    That was my firm intention.

  83. 83

    But what do you suppose: he heard Smurov out, and suddenly his eyes flashed.

  84. 84

    "Tell Krassotkin from me," he cried, "that I'll throw pieces of bread with pins in them to every dog now, every one, every one!" — "Aha," I think, "a spirit of rebellion has set in; he must be smoked out" — and I began to show him utter contempt, turning away at every encounter or smiling ironically.

  85. 85

    And then suddenly there comes this business with his father — remember, the bit about the wisp of tow?

  86. 86

    Understand that he had thus already been primed in advance for terrible exasperation.

  87. 87

    The boys, seeing that I had dropped him, fell upon him, taunting him: "Wisp of tow, wisp of tow."

  88. 88

    It was then that the pitched battles started between them, which I bitterly regret, because they once, it seems, beat him very painfully.

  89. 89

    One day he flings himself at the whole crowd in the yard as they were coming out of class, and I happen to be standing ten paces off, watching him.

  90. 90

    And I swear I don't remember laughing then; on the contrary, I felt very, very sorry for him just then, and one more instant and I'd have rushed to defend him.

  91. 91

    But he suddenly caught my eye: what he imagined I don't know, but he whipped out a penknife, threw himself at me, and stabbed me with it in the thigh, right here, by the right leg.

  92. 92

    I didn't budge; I confess I can be brave at times, Karamazov — I only looked at him with contempt, as if to say with my glance: "Would you like some more, perhaps, in return for all my friendship? Then I'm at your service."

  93. 93

    But he didn't strike a second time; he couldn't keep it up, he frightened himself, flung down the knife, broke into loud sobs, and took to his heels.

  94. 94

    I, of course, didn't tell on him, and ordered everyone to keep quiet so it wouldn't reach the authorities; I didn't even tell my mother until it had all healed over — and the wound was a slight one anyway, a scratch.

  95. 95

    Then I hear that the very same day he was throwing stones and bit your finger — but, you understand, think what a state he was in!

  96. 96

    Well, what's to be done, I acted stupidly: when he fell ill, I didn't go to forgive him, that is, to make peace, and now I'm sorry for it.

  97. 97

    But by then I had particular aims of my own.

  98. 98

    Well, that's the whole story… only it seems I acted stupidly…

  99. 99

    — Ah, what a pity, — Alyosha exclaimed with emotion, — that I didn't know of these relations of yours with him sooner, or I'd have come to you myself long ago to ask you to go to him together with me.

  100. 100

    Would you believe it, in his fever, in his illness, he raved about you.

  101. 101

    I never knew how dear you were to him!

  102. 102

    And can it really be, really be, that you never found this Zhutchka?

  103. 103

    His father and all the boys searched the whole town over.

  104. 104

    Would you believe it, three times in my presence, the sick boy, in tears, repeated to his father: "It's because I killed Zhutchka back then that I'm ill, papa; God is punishing me for it" — and there's no shaking him from that idea!

  105. 105

    And if only this Zhutchka could be found now and shown to him alive, that she hadn't died, then it seems he'd rise again from sheer joy.

  106. 106

    We all set our hopes on you.

  107. 107

    — Tell me, on what grounds did you hope that I would find Zhutchka, that is, that I in particular would find her? — Kolya asked with the keenest curiosity. — Why was it on me in particular that you counted, and not on someone else?

  108. 108

    — There was some rumor that you were looking for her and that when you found her you'd bring her back.

  109. 109

    Smurov said something to that effect.

  110. 110

    The main thing is we keep trying to assure him that Zhutchka is alive, that she's been seen somewhere.

  111. 111

    The boys got him a live hare from somewhere, but he only looked at it, smiled a little, and asked that it be let go in the field.

  112. 112

    So that's what we did.

  113. 113

    Just this minute his father came back and brought him a mastiff puppy, also got from somewhere, thinking to comfort him with it, only it seems to have turned out even worse…

  114. 114

    — Tell me one more thing, Karamazov: what sort of man is this father? I know him, but what is he, by your reckoning — a buffoon, a clown?

  115. 115

    — Ah no, there are people who feel deeply but are somehow crushed down.

  116. 116

    Their buffoonery is a kind of spiteful irony directed at those to whose faces they dare not speak the truth, out of a long-standing, humiliating timidity before them.

  117. 117

    Believe me, Krassotkin, that such buffoonery is sometimes extraordinarily tragic.

  118. 118

    Everything for him now, everything on earth, has come together in Ilusha, and should Ilusha die, he'll either go out of his mind with grief or take his own life.

  119. 119

    I'm almost convinced of it when I look at him now!

  120. 120

    — I understand you, Karamazov; I see that you know human nature, — Kolya added with deep feeling.

  121. 121

    "And the moment I saw you with the dog, I thought you had brought along that very Zhuchka."

  122. 122

    "Wait, Karamazov, maybe we'll yet track her down, but this one — this is Perezvon."

  123. 123

    "I'll let him into the room now, and perhaps I'll cheer Ilyusha up more with him than with the mastiff pup."

  124. 124

    "Wait, Karamazov, you're about to learn a thing or two."

  125. 125

    "Oh, good heavens, why am I keeping you standing here!" Kolya cried out suddenly, all in a rush. "You're in nothing but a thin frock coat in this kind of cold, and here I am holding you up; you see, you see what an egoist I am!"

  126. 126

    "Oh, we are all egoists, Karamazov!"

  127. 127

    "Don't worry; it's true, it's cold, but I don't catch cold easily."

  128. 128

    "Let's go in, all the same. By the way: what is your name? I know it's Kolya, but after that?"

  129. 129

    "Nikolai, Nikolai Ivanov Krasotkin, or, as they put it in officialese, son Krasotkin," Kolya laughed at something or other, but suddenly added: "I detest my name Nikolai, of course."

  130. 130

    "Why is that?"

  131. 131

    "It's trivial, official..."

  132. 132

    "Are you in your thirteenth year?" Alyosha asked.

  133. 133

    "That is, my fourteenth — in two weeks I'll be fourteen, very soon."

  134. 134

    "I'll confess one weakness to you in advance, Karamazov — and I'm telling you straight off, on first acquaintance, so that you can see my whole nature at once: I hate it when people ask me about my age, hate it more than... and finally... there's a slander going round about me, for instance, that last week I was playing robbers with the kids from the preparatory class."

  135. 135

    "That I was playing — that's a fact, but that I was playing for myself, for my own amusement, that is decidedly a slander."

  136. 136

    "I have grounds to think it reached even your ears, but I wasn't playing for myself, I was playing for the little ones, because without me they couldn't think up anything at all."

  137. 137

    "And so it goes — among us they're forever spreading nonsense."

  138. 138

    "This is a town of gossip, I assure you."

  139. 139

    "And even if you had been playing for your own amusement, what's so wrong with that?"

  140. 140

    "Well, for myself... You wouldn't go playing horsey, would you?"

  141. 141

    "But look at it this way," Alyosha smiled. "Grown-ups go to the theater, for instance, and at the theater they also act out the adventures of all sorts of heroes, sometimes with robbers and warfare too — so isn't that the very same thing, in its own way, of course?"

  142. 142

    "And playing at war among the young, in their recreation time, or there, playing robbers — that, after all, is also a budding art, a budding need for art in a young soul, and these games are sometimes even composed more cleverly than the performances at the theater; the only difference is that at the theater people go to watch actors, whereas here the youngsters are themselves the actors."

  143. 143

    "But that is only natural."

  144. 144

    "You think so? That's your conviction?" Kolya gazed at him intently. "You know, you've said a rather curious thing; now I'll go home and rack my brains over it."

  145. 145

    "I confess, I just knew there was something to be learned from you. I've come to learn from you, Karamazov," Kolya concluded in a heartfelt and effusive voice.

  146. 146

    "And I from you," Alyosha smiled, pressing his hand.

  147. 147

    Kolya was extraordinarily pleased with Alyosha.

  148. 148

    What struck him was that the man treated him as a complete equal, and that he spoke to him as he would to someone "quite grown up."

  149. 149

    "I'm going to show you a trick now, Karamazov, also a kind of theatrical performance," he laughed nervously, "that's just what I came for."

  150. 150

    "Let's go in to the left first, to the landlords' part — that's where your people all leave their coats, because the room is cramped and stuffy."

  151. 151

    "Oh, I'm only here a moment; I'll go in and sit in my coat."

  152. 152

    "Perezvon will stay out here in the entryway and play dead: 'Ici, Perezvon, down and die!' — see, there, he's dead."

  153. 153

    "And I'll go in first, scout out the lay of the land, and then, when the moment's right, I'll whistle: 'Ici, Perezvon!' — and you'll see, he'll come flying in instantly like a thing possessed."

  154. 154

    "Only Smurov mustn't forget to open the door at that very moment."

  155. 155

    "I'll see to it, and you'll see the trick..."

The particulars

The text
Братья Карамазовы, Fyodor Dostoevsky. Book X — The Boys.
Translation
Public-domain Russian (Dostoevsky, d. 1881). Translation © 2026 1732 Studios.
Words
Every word of the text, by letter.
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Two whoopie pies and a pine. An inside joke.