The Brothers Karamazov 1732 Studios

Russian · Book III — The Sensualists

III. Исповедь горячего сердца. В стихах

The Confession of a Passionate Heart- in Verse

212 sentences · 409 notes

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  1. 1

    Having heard out his father's command, which the old man had shouted to him from the carriage as he drove off from the monastery, Alyosha stood rooted to the spot for a while in deep perplexity.

    АлешаAlyoshaАлёша · proper noun, nominative, masculine, singularsubject of оставался
    выслушавhaving heard outвыслушать · verb, past, active, converb, perfectiveadverbial clause on оставался
    приказаниеcommandприказание · noun, accusative, neuter, singulardirect object of выслушав
    отцаfather'sотец · noun, genitive, masculine, singularmodifies приказание
    котороеwhichкоторый · pronoun, accusative, neuter, singulardirect object of выкрикнул
    тотhe (the old man)тот · pronoun, nominative, masculine, singularsubject of выкрикнул
    выкрикнулhad shoutedвыкрикнуть · verb, past, indicative, active, singular, perfectiverelative clause on приказание
    емуto himон · pronoun, dative, masculine, singularindirect object of выкрикнул
    изfromиз · prepositionpreposition marking коляски
    коляскиcarriageколяска · noun, genitive, feminine, singularoblique complement of из
    уезжаяas he drove offуезжать · verb, present, active, converb, imperfectiveadverbial clause on выкрикнул
    изfromиз · prepositionpreposition marking монастыря
    монастыряmonasteryмонастырь · noun, genitive, masculine, singularoblique complement of из
    оставалсяstood, remainedоставаться · verb, past, indicative, middle, singular, imperfectivemain verb of the sentence
    некотороеa certainнекоторый · determiner, accusative, neuter, singulardeterminer of время
    времяfor a whileвремя · noun, accusative, neuter, singularadverbial modifier of оставался
    наonна · prepositionpreposition marking месте
    местеthe spotместо · noun, locative, neuter, singularoblique complement of на
    вinв · prepositionpreposition marking недоумении
    большомdeepбольшой · adjective, locative, neuter, singularmodifies недоумении
    недоуменииperplexityнедоумение · noun, locative, neuter, singularoblique complement of в
  2. 2

    Not that he stood there like a post — nothing of that kind ever happened to him.

  3. 3

    On the contrary, for all his agitation, he had managed to slip at once into the Father Superior's kitchen and find out exactly what his papa had been up to upstairs.

  4. 4

    Then, however, he set off on his way, trusting that somewhere on the road into town he would find a way to settle the question that was tormenting him.

  5. 5

    Let me say at once: he was not in the least afraid of his father's shouting, nor of the order to move back home, "with his pillows and his mattress."

  6. 6

    He understood only too well that the command to come home, voiced aloud and with such showy bluster, had been given "in a fit of enthusiasm," for effect, so to speak, even for the beauty of the thing — rather like a tradesman in their own town who had recently gone on a spree, and who, at his own name-day party and in front of his guests, growing furious that he was given no more vodka, suddenly began smashing his own crockery, tearing his own clothes and his wife's, breaking his own furniture and at last the windows of the house — and all of it, again, for the sake of show; and now, of course, something of just the same sort had happened with his papa.

  7. 7

    By the next day, of course, the tradesman who had gone on his spree, having sobered up, was sorry for the broken cups and plates.

  8. 8

    Alyosha knew that the old man too would surely let him go back to the monastery the next day, and might even let him go that very day.

  9. 9

    And he was perfectly sure, besides, that whomever else his father might want to wound, he would not want to wound him.

  10. 10

    Alyosha was certain that nobody anywhere in the whole world would ever want to wound him — that, indeed, not only would no one want to, but that no one even could.

  11. 11

    This was an axiom to him, settled once and for all, beyond all argument, and in this conviction he went forward without the slightest wavering.

  12. 12

    But at this moment another sort of dread was stirring within him, of a quite different kind, and all the more tormenting because he could not have defined it to himself — namely, a dread of woman, and precisely of Katerina Ivanovna, who had so insistently begged him, in the note she had sent him earlier that day through Madame Khokhlakova, to come to her for some purpose.

  13. 13

    This request, and the obligation to go without fail, had instantly planted a kind of tormenting feeling in his heart, and all that morning, the further it went, the worse it grew — more and more painfully the feeling ached within him — for all the scenes and incidents that had followed in the monastery, and just now at the Father Superior's, and so on, and so on.

  14. 14

    What he was afraid of was not that he did not know what she would talk to him about, or what he would answer her.

  15. 15

    Nor was it woman in general that he feared in her: women, to be sure, he knew but little, yet all his life — from earliest childhood right up to the monastery — it was with them alone that he had lived.

  16. 16

    It was this woman he was afraid of, this very Katerina Ivanovna.

  17. 17

    He had been afraid of her ever since the first time he saw her.

  18. 18

    Yet he had seen her in all only once or twice, three times perhaps, and had even once, by chance, exchanged a few words with her.

  19. 19

    Her image came back to him as that of a beautiful, proud, and imperious girl.

  20. 20

    But it was not her beauty that tormented him; it was something else.

  21. 21

    And it was precisely this inexplicability of his fear that now intensified the fear within him.

  22. 22

    The girl's aims were of the noblest — he knew that; she was striving to save his brother Dmitri, who was already in the wrong before her, and she was striving out of pure magnanimity alone.

  23. 23

    And yet, for all his awareness of this, and for all the justice he could not but render to all these fine and magnanimous feelings, a chill ran down his spine the nearer he drew to her house.

  24. 24

    He reckoned that he would not find his brother Ivan Fyodorovich, who was on such close terms with her, at her place: brother Ivan was surely with their father now.

  25. 25

    And Dmitri he would be even surer not to find there, and he had a presentiment of why.

  26. 26

    So their conversation would take place in private.

  27. 27

    He very much wanted to see his brother Dmitri before that fateful conversation and to run round to him.

  28. 28

    Without showing him the letter, he might be able to have a word with him about something.

  29. 29

    But his brother Dmitri lived a long way off and was surely not at home now either.

  30. 30

    Having stood on the spot for a minute, he made up his mind at last, once and for all.

  31. 31

    Crossing himself with a habitual, hurried sign of the cross, and at once smiling at something or other, he set off resolutely toward his fearsome lady.

  32. 32

    Her house he knew.

  33. 33

    But if he had to go by way of the High Street, then across the square, and so forth, it would be a fair distance.

  34. 34

    Our little town is laid out exceedingly haphazardly, and the distances in it can be rather great.

  35. 35

    Besides, his father was waiting for him, perhaps had not yet had time to forget his command and might turn cantankerous, and so he had to make haste in order to be in time both here and there.

  36. 36

    In view of all these considerations he decided to cut the journey short by going through the back ways, and all these by-paths in the town he knew like the back of his hand.

  37. 37

    Going by the back ways meant going almost without any roads at all — along deserted fences, sometimes even climbing over other people's wattle hedges and skirting other people's yards, where, however, everyone knew him and everyone greeted him.

  38. 38

    By this route he could reach the High Street in half the distance.

  39. 39

    At one point here he even had to pass very close to his father's house — right past the garden adjoining his father's, a garden belonging to a tumbledown little four-windowed house that had sagged askew with age.

  40. 40

    The owner of this little house was, as Alyosha knew, a townswoman of the place, a legless old woman who lived with her daughter — a daughter who had been a refined lady's maid in the capital, who until quite recently had still kept to posts in generals' households, but who now, for a year past, on account of the old woman's illness, had come back home and went about flaunting herself in stylish dresses.

  41. 41

    This old woman and her daughter had fallen, however, into dreadful poverty, and even went next door, to Fyodor Pavlovich's kitchen, for soup and bread every day. Marfa Ignatyevna ladled it out to them willingly.

  42. 42

    But the daughter, while coming for soup, had not sold a single one of her dresses, and one of them even had a very long train.

  43. 43

    Of this last circumstance Alyosha had learned — quite by chance, of course — from his friend Rakitin, to whom positively everything in their little town was known, and, having learned it, he had naturally forgotten it at once.

  44. 44

    But now, drawing level with the neighbor's garden, he suddenly remembered that very train, raised his hung and brooding head sharply, and... ran all at once into the most unexpected of meetings.

  45. 45

    Beyond the fence in the neighbor's garden, having clambered up onto something and leaning out as far as his chest, stood his brother Dmitri Fyodorovich, making signs to him with his hands with all his might, beckoning and summoning him, plainly afraid not only to shout but even to speak a word aloud, for fear of being overheard.

  46. 46

    Alyosha ran up to the fence at once.

  47. 47

    "A good thing you looked round of your own accord, or I'd nearly have shouted to you," Dmitri Fyodorovich whispered to him, joyful and hurried. "Climb over here! Quick!

  48. 48

    Ah, how splendid that you've come.

  49. 49

    I was just this moment thinking about you..."

  50. 50

    Alyosha himself was glad too, and was only at a loss how to get over the fence.

  51. 51

    But "Mitya" caught his elbow in a hero's grip and helped him with the leap.

  52. 52

    Tucking up his cassock, Alyosha vaulted over with the agility of a barefoot town urchin.

  53. 53

    "Well then, come along!" burst from Mitya in an ecstatic whisper.

  54. 54

    "Where to?" Alyosha whispered as well, glancing about him on every side and finding himself in a garden completely empty, in which there was no one but the two of them.

  55. 55

    The garden was small, but the owner's little house stood at least fifty paces from them all the same.

  56. 56

    "There's no one here — why are you whispering?"

  57. 57

    "Why am I whispering?

  58. 58

    Ah, the devil take it," Dmitri Fyodorovich suddenly cried out at the top of his voice, "why on earth am I whispering? There, you see for yourself how a man can suddenly fall into a muddle of nature.

  59. 59

    I'm here in secret and guarding a secret.

  60. 60

    The explanation comes later, but, knowing there's a secret, I suddenly began to speak secretly too, and I'm whispering like a fool, when there's no need.

  61. 61

    Come along!

  62. 62

    Over there!

  63. 63

    Until then, keep quiet.

  64. 64

    I want to kiss you!

  65. 65

    Glory to the Highest in the world, Glory to the Highest in me!..

  66. 66

    That I was just repeating to myself only now, sitting here in front of you..."

  67. 67

    The garden was about a desyatina in size, or a little more, but it was planted with trees only around the edges, all along the four fences — apple trees, a maple, a linden, a birch.

  68. 68

    The middle of the garden was empty, given over to a meadow on which several poods of hay were mown in the course of a summer.

  69. 69

    The garden was let out by the landlady from spring on, for a few rubles.

  70. 70

    There were beds, too, with raspberries, gooseberries, and currants, all of them likewise along the fences; and vegetable plots close to the house itself, laid out only recently, however.

  71. 71

    Dmitri Fyodorovich led his guest to one corner of the garden, the farthest of all from the house.

  72. 72

    There, all at once, amid densely clustered lindens and old bushes of currant and elder, guelder rose and lilac, there came into view something like the ruins of a very old green arbor, blackened and warped out of shape, with latticed walls but a roofed top, in which one could still take shelter from the rain.

  73. 73

    The arbor had been built goodness knows when — fifty years ago, by tradition — by some former owner of the little house, a certain Alexander Karlovich von Schmidt, a retired lieutenant colonel.

  74. 74

    But everything had already rotted away: the floor had decayed, all the floorboards were loose, and the wood smelled of damp.

  75. 75

    In the arbor stood a green wooden table, sunk into the ground, and benches ran around it, green as well, on which one could still sit.

  76. 76

    Alyosha noticed his brother's ecstatic state at once, but, on entering the arbor, he saw on the little table a half-bottle of cognac and a small glass.

  77. 77

    "It's cognac!" Mitya burst out laughing. "And there you are, already looking at me: 'drinking again,' eh?

  78. 78

    Put no faith in the phantom.

  79. 79

    Trust not the empty, lying crowd, Lay all your doubts aside...

  80. 80

    I'm not drinking — I'm only 'indulging,' as your swine Rakitin puts it, who'll one day be a state councillor and will still be saying 'indulging.'

  81. 81

    Sit down.

  82. 82

    I'd seize you, Alyoshka, and press you to my breast hard enough to crush you, because in all the world... truly... tru-ly (mark it! mark it!) I love you and you alone!"

  83. 83

    He pronounced the last line almost in a kind of frenzy.

  84. 84

    "You alone, and one more — a 'vile creature' — with whom I've fallen in love, and on that I'm done for.

  85. 85

    But to be in love is not the same as to love.

  86. 86

    One can be in love and hating all the while.

  87. 87

    Remember that!

  88. 88

    I'm telling you now, while it's still merry!

  89. 89

    Sit down here at the table, and I'll be beside you, at your side, and I'll look at you and keep talking.

  90. 90

    You'll keep silent the whole time and I'll keep talking the whole time, because the hour has come.

  91. 91

    And besides, you know, I've reckoned that we really must speak quietly, because here... here... the most unexpected ears might open up.

  92. 92

    I'll explain everything; as the saying goes: to be continued.

  93. 93

    Why have I been straining toward you, thirsting for you these last days, and now?

  94. 94

    (I've been lying here at anchor five days already.) All these days?

  95. 95

    Because to you alone will I tell everything, because it's needful, because you're needed, because tomorrow I plunge down from the clouds, because tomorrow life will end and begin.

  96. 96

    Have you ever felt, have you ever seen in a dream how people fall into a pit from a mountain?

  97. 97

    Well, that's how I'm falling now — and not in a dream.

  98. 98

    And I'm not afraid, and don't you be afraid either.

  99. 99

    That is, I am afraid, but it's sweet to me.

  100. 100

    That is, not sweet, but rapture...

  101. 101

    Ah well, the devil, it's all the same, whatever it may be.

  102. 102

    A strong spirit, a weak spirit, a womanish spirit — whatever it may be!

  103. 103

    Let us praise nature: look, how much sun there is, how clear the sky is, the leaves all green, it's full summer still, four in the afternoon, all stillness!

  104. 104

    Where were you going?"

  105. 105

    "I was going to Father's, but first I wanted to call on Katerina Ivanovna."

  106. 106

    "To her and to Father!

  107. 107

    Ah!

  108. 108

    What a coincidence!

  109. 109

    Why, what was it I called you for, what did I desire you for, what did I crave and thirst for with every fiber of my soul and even with my ribs?

  110. 110

    To send you precisely to Father on my behalf, and then to her, to Katerina Ivanovna, and so to have done with it, both with her and with Father.

  111. 111

    To send an angel.

  112. 112

    I could have sent anyone, but I had to send an angel.

  113. 113

    And here you are yourself, on your way to her and to Father."

  114. 114

    "Did you really mean to send me?" broke from Alyosha, a pained expression on his face.

  115. 115

    "Wait — you knew it.

  116. 116

    And I see that you've understood everything at once.

  117. 117

    But keep quiet, keep quiet for now.

  118. 118

    Don't pity me and don't weep!"

  119. 119

    Dmitri Fyodorovich rose, fell to thinking, and laid a finger to his brow:

  120. 120

    "She summoned you herself, she wrote you a letter, or something of the sort — that's why you set off to her; otherwise, would you ever have gone?"

  121. 121

    "Here is the note," said Alyosha, drawing it from his pocket.

  122. 122

    Mitya ran his eyes over it quickly.

  123. 123

    "So you went round by the back ways!"

  124. 124

    O ye gods!

  125. 125

    I thank you for steering him round by the back ways, so that he landed in my hands like the golden fish to the old fool of a fisherman in the fairy tale.

  126. 126

    Listen, Alyosha, listen, brother.

  127. 127

    Now I mean to tell you everything at last. For I simply have to tell it to somebody.

  128. 128

    I have already told the angel in heaven, but I must tell the angel on earth as well.

  129. 129

    You are the angel on earth.

  130. 130

    You will hear me out, you will judge, and you will forgive...

  131. 131

    And that is just what I need — to be forgiven by someone higher than myself.

  132. 132

    Listen: if two beings should suddenly break free of everything earthly and fly off into the extraordinary, or at least one of the two, and before that — flying up or going to his ruin — he comes to the other and says, do this for me, this one thing, the kind of thing one never asks of anyone, but may ask only on one's deathbed — then surely the other will not refuse... if he is a friend, if he is a brother?

  133. 133

    "I will do it; but tell me what it is, and tell me quickly," said Alyosha.

  134. 134

    "Quickly... Hm."

  135. 135

    Don't be in such a hurry, Alyosha: you are hurrying and fretting.

  136. 136

    There's no need to rush now.

  137. 137

    Now the world has turned out onto a new street.

  138. 138

    Ah, Alyosha, what a pity you never thought your way through to rapture!

  139. 139

    But there — what am I saying to him?

  140. 140

    You, of all people, never thought your way through to it!

  141. 141

    What am I saying, oaf that I am:

  142. 142

    Be noble, O man!

  143. 143

    Whose line is that?

  144. 144

    Alyosha made up his mind to wait.

  145. 145

    He understood that, in truth, all of his business perhaps lay only here now.

  146. 146

    Mitya fell to thinking for a moment, propping his elbow on the table and resting his head in his hand.

  147. 147

    The two of them were silent.

  148. 148

    "Lyosha," said Mitya, "you alone will not laugh!"

  149. 149

    I should like to begin... my confession... with Schiller's hymn to joy. An die Freude!

  150. 150

    But I don't know any German — all I know is that an die Freude.

  151. 151

    And don't go thinking I'm babbling because I'm drunk.

  152. 152

    I'm not the least bit drunk.

  153. 153

    Cognac is cognac, but I need two bottles to get drunk —

  154. 154

    And ruddy-faced Silenus Upon his stumbling ass —

  155. 155

    and I haven't drunk so much as a quarter of a bottle, and I'm no Silenus.

  156. 156

    No Silenus, but a strong one [silyón], because I've made my decision for all time.

  157. 157

    Forgive me the pun — you'll have a great deal more than a pun to forgive me today.

  158. 158

    Don't worry, I'm not smearing it out; I'm talking sense and I'll get to the point in a flash.

  159. 159

    I won't drag it out of my soul like a Jew haggling.

  160. 160

    Wait — how does it go...

  161. 161

    He raised his head, fell to thinking, and suddenly, in rapture, began:

  162. 162

    Timid, naked, and wild, the Troglodyte Would hide himself in the cliffs' caverns; Across the fields the nomad wandered And laid the fields to waste. The hunter, with his spear and arrows, Ran fearsome through the woods... Woe to those flung by the waves Onto inhospitable shores! Down from the Olympian summit Mother Ceres comes, in search Of ravished Proserpina: Wild lies the world before her. No shelter and no welcome Does the goddess find anywhere; And nowhere does a temple Bear witness to reverence of the gods. The fruit of the fields and the sweet clusters Gleam at no feast; Only the remnants of carcasses smoke Upon the bloodied altars. And wherever Ceres turns Her mournful eye — In deep abasement She beholds man everywhere!

  163. 163

    Sobs broke suddenly from Mitya's breast.

  164. 164

    He seized Alyosha by the hand.

  165. 165

    "My friend, my friend — in abasement, in abasement even now."

  166. 166

    There is a fearful deal for man to endure on earth, a fearful deal of misery!

  167. 167

    Don't think I'm nothing but a boor with an officer's rank, who drinks cognac and lives in debauchery.

  168. 168

    I, brother, think of almost nothing but this — this abased man — that is, if I'm not lying.

  169. 169

    God grant me now not to lie and not to praise myself.

  170. 170

    I think about this man because I am that kind of man myself.

  171. 171

    That man might rise out of his baseness in his soul, Let him enter into an everlasting bond With the ancient mother — earth.

  172. 172

    But here's the whole trouble: how am I to enter into an everlasting bond with the earth?

  173. 173

    I don't kiss the earth, I don't cut open her breast; am I to make myself a peasant, or a shepherd boy?

  174. 174

    I go on and I don't know: have I fallen into stench and disgrace, or into light and joy?

  175. 175

    There, you see, is where the misery lies, for everything in the world is a riddle!

  176. 176

    And whenever I happened to plunge into the very, the very deepest disgrace of debauchery (and that was the only thing that ever happened to me), I would always read that poem about Ceres and about man.

  177. 177

    Did it set me right?

  178. 178

    Never!

  179. 179

    Because I am a Karamazov.

  180. 180

    Because if I do go hurtling into the abyss, I go straight down, head first and heels up, and I am even pleased that I am falling in just such a degrading posture, and I count it a beauty for myself.

  181. 181

    And so, in the very depth of that disgrace, I suddenly strike up a hymn.

  182. 182

    Let me be cursed, let me be base and vile, but let me too kiss the hem of that robe in which my God is clothed; let me follow at the devil's heels at the very same moment, but I am still your son, O Lord, and I love you, and I feel that joy without which the world cannot stand and be.

  183. 183

    Eternal joy gives drink To the soul of God's creation, By the secret force of fermentation It sets the cup of life ablaze; It coaxed the blade of grass toward the light, It unfurled the suns out of chaos And poured them through the reaches of space Beyond the reckoning of the stargazer. At the breast of bounteous nature All that breathes drinks joy; All creatures, all peoples She draws after herself; She gave us friends in misfortune, The juice of the cluster, the garlands of the Graces, To the insect — voluptuous delight... The angel — stands before God.

  184. 184

    But enough of verses!

  185. 185

    I have shed tears, and you must let me have my cry.

  186. 186

    Let it be foolishness that everyone will laugh at — but not you.

  187. 187

    There, your little eyes are burning too.

  188. 188

    Enough of verses.

  189. 189

    Now I want to tell you about the "insects," about those whom God endowed with voluptuous delight:

  190. 190

    To the insect — voluptuous delight!

  191. 191

    I, brother, am that very insect, and that line was written about me specifically.

  192. 192

    And all of us Karamazovs are just the same, and in you too, you angel, that insect lives and breeds storms in your blood.

  193. 193

    Storms — for voluptuousness is a storm, more than a storm!

  194. 194

    Beauty is a fearful and terrible thing!

  195. 195

    Fearful, because it cannot be defined, and it cannot be defined because God set us nothing but riddles.

  196. 196

    Here the shores converge, here all contradictions live together.

  197. 197

    I, brother, am very uneducated, but I have thought a great deal about this.

  198. 198

    There is a fearful number of mysteries!

  199. 199

    Too many riddles weigh man down on this earth.

  200. 200

    Solve them as best you can, and come out of the water dry.

  201. 201

    Beauty!

  202. 202

    And what is more, I cannot bear that a man — even one higher in heart and lofty in mind — should begin with the ideal of the Madonna and end with the ideal of Sodom.

  203. 203

    More fearful still is the man who, already carrying the ideal of Sodom in his soul, does not renounce the ideal of the Madonna either, and his heart burns for it, and truly, truly it burns, just as in his young and blameless years.

  204. 204

    No, man is broad, too broad even — I would narrow him.

  205. 205

    The devil only knows what to make of it, that's what!

  206. 206

    What seems disgrace to the mind is, through and through, beauty to the heart.

  207. 207

    Is there beauty in Sodom?

  208. 208

    Believe me, that is exactly where it sits for the vast majority of people — did you know that secret or not?

  209. 209

    The terrible thing is that beauty is not only a fearful but also a mysterious thing.

  210. 210

    Here the devil is wrestling with God, and the battlefield is the hearts of men.

  211. 211

    But there — whatever a man's sore spot is, that's what he keeps talking about.

  212. 212

    Listen, now to the matter itself.

The particulars

The text
Братья Карамазовы, Fyodor Dostoevsky. Book III — The Sensualists.
Translation
Public-domain Russian (Dostoevsky, d. 1881). Translation © 2026 1732 Studios.
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Every word of the text, by letter.
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Two whoopie pies and a pine. An inside joke.